The season ends not with a bang but with a "to be continued". And
that's not a bad thing.
Particularly when we start off with a vision of mental
disintegration portrayed remarkably well by Mark Addy (though he
doesn't get to do it for long), and some atmospheric interior sets
that make up for the generic gravel-pit outside shots. Pity about the
"nine distress calls" that never come to anything, though.
Oh, Doctor, you of all people shouldn't say it's impossible to steal a
planet! It's happened before in both the old (The Pirate Planet) and
the new (The Stolen Earth / Journey's End) iterations of the show. So
have people who can change the universe via thought (Logopolis, School
Reunion). Perhaps that's why this doesn't feel as Epic! as one might
have expected. Back in the day, the last story of a series was
typically just the one that happened to be finished last, but since
the revival, there's been a more US-style emphasis on a big expensive
high-stakes story at the end of the season; which is why it's odd that
this really doesn't feel big, or expensive (except for the sets aboard
the shrine-ship, which are impressive if under-lit), or even
particularly high-stakes. But the big flashy finales always felt to me
like a poor fit for Who, and the constant raising of stakes drifted
from dramatic into bathetic in remarkably short order. This is simply
another story in the season, with some connections to earlier stories
and a bigger budget than some of them, and it does a good job of being
that.
All right, there's a frankly dull Message about the stupidity of
unquestioning faith, but it's not dwelt on for long; the excuses for
the immediate plot don't necessarily make much sense, but since the
plot comes down to "a bad person is doing bad things and needs to be
stopped" better scaffolding would be largely superfluous anyway. The
first half is slower than it needs to be, and could have used perhaps
a bit more action and a bit less wandering around, but the second half
balances conventional action with moral choices and reasonably smart
problem-solving. It's one of the good ones this season, and the
Chibnall script I've liked best.
My feeling on the season is still that it's got a solid production
team and a good set of actors, but it desperately needs a better
showrunner, specifically someone less keen to write all his own
scripts (five and a half out of ten scripts here, and the New Year's
special, and Chibnall simply isn't that great; in fact I'd say he's
the worst of the writers this season), and someone prepared to ask for
a bit more than mere basic handle-turning competence from their
scriptwriters, for some scripts that can balance message (I'm not
saying there shouldn't be message) with decent characters and drama,
and writing complex and subtle enough to provide a bit more interest
for the adult viewers and the smarter children as well as being
comprehensible to the stupidest kids in the mass audience.
There are a few turkeys, but plenty of solid episodes here, and I hope
that Whittaker in particular stays on and develops her portrayal of
the character further. (The plan is for her to continue for at least
another series, to be broadcast early in 2020.) Bradley Walsh is
effortlessly out-acting the kiddies - well, so's Whittaker, but Walsh
is obvious about it and could perhaps stand to tone it down a bit if
they can't up their game. It would be nice if someone occasionally
remembered that Yaz is meant to be a police officer, and if they gave
Ryan a bit more to do.
But the departure of Moffat brought me back to the show, and I've
found this season worth watching.
The final episode of this season will be the New Year's Day special,
but if it's anything like the previous run of Christmas specials it'll
be more of a whimsical side story in the manner of The Five Doctors
or Dimensions in Time than part of any kind of ongoing narrative.
(A Christmas Carol and The Doctor, the Widow and the Wardrobe did
a great deal of the work it took to push me away from the revived
show.) Still, we'll see – it might instead be worth the time.
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