2009 comedic mystery, first in its series. The nameless narrator runs No
Alibis, a mystery bookshop in Belfast. But when the private detective
agency next door suddenly closes down, some of its customers start
coming to him instead.
Our nameless protagonist is deeply cynical, particularly about
book-selling, publishing and writing; and that works well. But he's
also obsessive-compulsive, paranoid, selfish, hypochondriac, terrified
of everything, and relentlessly self-sabotaging; and that works less
well. Even with good writing, there's only so much I want to read
about a nasty person carefully destroying anything in his life that
might be pleasant (and with a perfect girlfriend who accepts him just
as he is, for no obvious reason). It's as if Black Books were made
entirely from Bernard Black's perspective.
The initial cases are pretty trivial, and this works fairly well as
comedic detection (certainly better than Dangerous Davies or Charles
Paris). But then a much more serious matter turns up, and with major
tonal whiplash we're sent off to the legacy of Auschwitz and fresh
corpses start to pile up. Our hero is clearly out of his depth, and
knows it, and only carries on because his new girlfriend is out of
phase with him (when he wants to drop the case and hand it over to the
police, she wants him to continue with it, and vice versa).
There's not much to the actual mystery; it's quite clear who's
responsible, and pretty much why, even if it goes directly against one
particular piece of evidence (with no explanation of the discrepancy).
It's all quite fun, but hard going, and I'm unlikely to read more.
Followed by The Day of the Jack Russell.
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