1942 autobiography of the first person to fly the Atlantic solo
non-stop from east to west.
Which sounds like a bit of a cheat, of course, because the more
you have to qualify an achievement the less of an achievement it is.
East to west had been done in 1919 by Scott and the R34, the non-stop
in 1928 by von Hünefeld, Köhl and Fitzmaurice, and the solo in 1932 by
Jim Mollison, though no woman had done any of these and several people
had died trying the combination.
He was flying a German Klemm monoplane equipped with a ninety-five
horsepower British Pobjoy motor. If this combination had any virtue
in such vast and unpredictable country, it was that the
extraordinary wingspan of the plane allowed for long gliding range
and slow landing speed.
Markham grew up in British East Africa, later the Kenya Colony, having
left England with her father when she was four. (Her mother is one of
the many omissions here; she abandoned them both to have an affair
with a naval officer, though apparently she came back later.) As the
only white child for a fair distance, she spent her time trying to get
away from her lessons to go spear-hunting with the Maasai children.
"I knew her fairly well in Africa and never would have suspected
that she could and would put pen to paper except to write in her
flyer's log book. As it is, she has written so well, and marvelously
well, that I was completely ashamed of myself as a writer." — Ernest
Hemingway
But when the plantation went under – with a steam-powered mill, her
father had established fixed-price contracts to supply milled grain,
but when the harvest failed he had to pay more for the raw grain than
he could recoup – she struck out for herself as a trainer of
racehorses. She was on the fringes of the Happy Valley set, and among
the many omissions – well, this was published in 1942 – are any
mention of her numerous affairs, or even of her marriages. She was
regarded as odd and nonconformist, not to say uncomfortably
forthright, even by British colonial society.
June Carberry, small, nimble-minded, and attractive, presided over
evenings at Seramai like a gracious pixy over a company of
characters snatched from an unfinished novel originally drafted by
H. Rider Haggard and written by Scott Fitzgerald, with James M. Cain
looking over his shoulder.
The move from racehorses into aviation seems to have been inspired by
a chance meeting with Tom Campbell Black (later the pilot of
Grosvenor House in the MacRobertson Air Race); she went on to work
as a bush pilot, flying urgent cargo (both people and goods) to places
that were sometimes just a vague dot on a dubious map. There was also
air scouting for safaris: find a herd of elephants, evaluate the ivory
available, and point the hunt towards it by dropping a canister with a
message.
The Italian idea was based upon the wistful suspicion that no foreigner
(certainly no Englishman) could fly over Libya, for instance, and
successfully resist the temptation to take candid camera shots of the
newly contrived Fascist forts. The Italians, under Mussolini, would have
been hurt indeed to know that a pilot existed (and many of them did)
who had less curiosity about the Fascist forts than about the exact
location of a bar of soap and a tub of hot water.
Then, drifting, she found herself in England, and was encouraged by
John Carberry (who, it appears, probably hoped she'd die in the
attempt) to find a sponsor and have a go at the crossing. The Vega
Gull suffered fuel starvation due to icing, but made it, to America if
not to New York; though the death of Campbell Black just a few days
after the flight seems to have taken the fun out of flying for
Markham, and while she tried to parlay her achievement into fortune,
in part by writing this book, nothing really took. She stayed in the
USA until 1952, then moved back to Africa, eking out a living as a
horse trainer until the memoir was rediscovered in 1982. Which was
very nice for Markham's last four years.
Amseat is a post on the Italian Egyptian border; it consisted then
of wind, desert, and Italians, and I understand the wind and desert
still remain.
(Some material on her from the 1980s is
here,
but beware of bias even more than usual; Fox took it upon himself to
"prove" that Markham hadn't written the book but had instead got her
husband of the time to do the hard work, and this has since been
fairly effectively debunked.)
Obviously there are many assumptions and omissions here, but Markham
makes the colonial life seem interesting in a way that very few
people can manage; without meaningful memories of England, she wasn't
trying to recreate them in a foreign place the way many of her
contemporaries were. The writing is decent, if it tends to drift
between tenses, and the memoir recalls an era of aviation when a
prepared landing-field was strictly a luxury.
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