In the 1950s, retired MTB commander Philip Vivian gets into trouble
while struggling to run a small yacht charter business.
Pure thud-and-blunder. Vivian is a cipher with a sense of honour;
he and the Girl (there must be a Girl in these things unless you're
John Buchan, and sometimes even then) fall completely in love with
each other at first sight; but he's also dim enough not to spot the
traps in the dubiously-legal scheme he's offered (admittedly, as the
only alternative to losing his boat to the bank) until it's too late.
There are no characters, really, and even someone's sudden change of
loyalties doesn't come as much of a surprise, but that's not what
these things are for; they're for lightweight action, in the tradition
of Dornford Yates before and Dick Francis afterwards, and (one of the
few things to betray the book's era) a bit of well-mannered narrative
leching over the Girl.
I confess that the idea of counterfeiting dollar bills in England,
then smuggling them to France to utter them, caused me to put down the
book and say "no"; even if these particular bills are of uniquely high
quality, wouldn't it be vastly easier to install your master
counterfeiter somewhere in France and not have the danger-prone
smuggling stage (involving third parties, and small boats, and so on)?
Yes, all right, there is more to it than that; it's the top layer of a
multi-level criminal enterprise, and that story exists largely to
explain to the new sucker why it's not so terribly illegal really, but
it's thin at best.
We don't even get an excruciatingly-detailed account of navigating a
small boat in fog without radar, which Reeman could surely have
written as he was living on a yacht at the time. There's a little
boat-handling here, but mostly it's fisticuffs and a bit of swimming.
The chief bad guy gets killed by accident, rather than have our hero
be a murderer. It's that sort of book.
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