These are my thoughts on the Hugo-nominated novellas. If you're
planning to vote, you may wish not to read these notes until you have
done so. There will also be spoilers here.
Wakulla Springs, Andy Duncan and Ellen Klages: round the
edges of the making of a Tarzan film in the 1930s, a family with a
talent for swimming, and… some vaguely fantastic content in the very
last paragraph just so that I can't write it off as "not a spec-fic
story". But really, it's not a spec-fic story. Much more observation
than plot; a little bit of interesting characterisation of some black
folks in the run-up to the Civil Rights movement, because nobody's
ever written about people in that situation before and two white folks
are bound to have something new to say.
The Butcher of Khardov, Dan Wells: a novella that needs a map?
Gawdelpus. And it's volume two of a series "Based on the Award-Winning
Warmachine® Game", a wargame which was derived from a role-playing
setting that in turn has been kind of quiet for the last few years. So
I reckoned I knew what to expect here. And guess what, Dan? You
provided exactly what I expected. In the grim not-Russia, there is
only war. We've got namechecks of the various sorts of steampunk mecha
so that the game players will be happy, but mostly what we find is the
shuffled-out-of-order story of a huge guy who's the ultimate warrior
of this world, wielding a hundred-pound (!) axe, able to take on
anyone or any group of people and win, whether he's fighting for a
local crime boss or the queen of the empire… but he's terribly
tortured by the death of his girlfriend, so, y'know, he's got
character, see? Warhammer has a lot to answer for.
Equoid, Charles Stross: Charlie pastiches Lovecraft, The
Archers, and school stories, but doesn't really quite catch the
voice of any of them. It's enjoyable enough, but I kept thinking that
if I picked it up by a corner and shook it it would fall apart; it's
all skin and spectacle, no bones. (Re-read, the only one here that
is.)
The Chaplain's Legacy, Brad R. Torgersen: humanity's war against
the bug aliens seems likely to be about to restart, and the chaplain's
assistant who accidentally helped broker the peace last time is
brought in to see if he can do it again. Neither side actually wants
peace, and our hero, the Senior Alien, and a couple of others get
marooned on an uninhabited planet. I liked this story better when it
was called Enemy Mine; well, that's not quite fair, but there's a
very clear line of descent here, and not much added. Not a terrible
story, but eminently forgettable.
Six-Gun Snow White, Catherynne M. Valente: fairy tale set in the
Wild West. At rather greater length than most retellings, of course,
and there's plenty more here; but characters come and go in that
abrupt fairy-tale way. The writing is lush, even florid, but digging
through it to get to the story (only to be reminded that it's really a
story we already know) is perversely unrewarding. I'll admit I did
like the dwarves, here part of a community of outlaw women; but
they're whipped out of the narrative again just as they're getting
interesting. They could have made for a story in themselves. People
who like this sort of book will like this book. I don't think I'm one
of them; to me the writing felt smug and self-satisfied.
Damn it, I don't want to be profoundly unimpressed with everything
on the slate! I didn't set out to find things to tear into! The short
stories were dire, but some of the novelettes were decent. Eh, I'll
probably vote for Stross, then Torgerson, then Valente; best of a bad
field.
The Valente was provided only as a pdf; everyone else managed multiple
formats (pdf, epub and mobi at the very least, and only the Wells
lacked rtf).
Addendum: the Hugo voting order was Stross, Valente, Duncan/Klages,
Torgerson, Wells.
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