Hard-boiled fantasy. Down the mean streets goes Eddie LaCrosse, a
swordsman who is not himself mean, who is neither tarnished nor
afraid.
I admit, when I'm reading fantasy I don't expect to come across
characters called things like Eddie, Cathy, King Phil and Princess
Janet. This is much more a noir book with fantasy trappings than the
other way round, and when the barmaids have name tags and our hero
mentions "my new Edgemaster Series 3 dark-steel sword" it certainly
sounds more like a society that's gone through the industrial
revolution than the actual world that's presented here.
But unlike most fantasy this isn't a story that's keen to show off its
worldbuilding; we already know what a noir world is like, and so all
we really need to know here is that in spite of occasional bits of
magic the swords work like guns, the horses work like cars (to the
extent of getting parking tickets), high society is just as corrupt
and cynical as the gutters, and in spite of his dark past the hero is
the best man in his world and a good enough man for any world.
Even so, in spite of one moment of surpassing ugliness, it's pretty
lightweight stuff, never really pausing to examine its ideas beyond
the basic juxtaposition of genres. Our hero leaves a trail of dead
women in his wake, but it's never his fault, and the narrative is all
about his pain and suffering. The women are all rather objectified,
and the single homosexual character seems to be there primarily as a
reminder of The Maltese Falcon; one can claim that these are
necessities in noir, but I'm not completely convinced. There are
little bits of entirely gratuitous nastiness by our supposed hero that
rub me wrong, even as a fan of Chandler. And the detection happens
more by being in the right place at the right time than by any
particular skill.
All right, it never drags, but it still left a slightly bad taste in
my mouth.
Follwed by Burn Me Deadly.
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