1992; romantic suspense. Catherine Weaver is a makeup artist for
low-budget films who's driving to visit her pregnant friend on a rainy
night, when she hits Victor Holland who's just stumbled onto the road
having been shot. Then things start moving.
This is a very early Gerritsen, from before she started writing
the medical thrillers for which she's better known. The story is
formulaic: he's the man trying to get the word out about illicit viral
research by his employer, she's the ordinary person who's got caught
up in it all, and they fall in love while on the run, not knowing
who's to be trusted and who isn't.
It's all a bit sketched-in, to be honest. Catherine's the viewpoint
character, but we don't get much in the way of physical descriptions
of anyone. Much of the narrative is concerned more with her thoughts
than with external action; this is much more on the romance side than
the suspense side, a balance that Gerritsen would hit better in later
books.
There are old college friends and the memory of a dead wife (romantic
complication!) for Victor, and a sleazy ex-husband for Catherine, but
they're flat at best, and the villains are straight out of Central
Casting. Catherine's professional skills do come into play, which is
encouraging since otherwise she might be the drag on the men that she
sometimes thinks she is. Even so, she's captured and used as a
bargaining token late in the story, and comes perilously close to
being a damsel in distress.
I still think Gerritsen's best work is Gravity, but even in this
slight early book she brings through a sense of fun that's sadly
lacking even in a lot of lightweight reading. Even so, it's strictly
for Gerritsen completists.
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