2011; twelfth in Brett's Fethering Mysteries series (amateur
sleuthing). Carole Seddon takes over the rental of a beach hut along
the shore from Fethering, only for human remains to turn up underneath
it.
This is a fairly short book, only around 70,000 words, and
sometimes feels a bit sketched-in rather than following Brett's usual
style of wallowing in the horribleness of his minor characters.
They're here all right, particularly the pettily corrupt local council
administrator Kelvin Southwest and the navy-mad retired teacher
Reginald Flowers, but we don't get much of either of them: an
introduction, another encounter, the revelation of their sin (everyone
in a Brett book has to have their own sin, a bit like Ellis Peters),
and that's about it. There is some emphasis on odd relationships, and
the way they can allow two people who are fairly broken as individuals
to have something of a pleasant life together, but this isn't
developed, just observed.
A client of Jude's is in need of money as her boyfriend's walked out
on her and vanished, which is why Carole gets the hut at all, and some
of the best material here teases the reader with the possibility that
the missing boyfriend might be the source of the human remains… or the
cause of them. The eventual resolution of all the mystery is oddly
unsatisfying, relying on confessions that seem to come a little too
easily from people who've been keeping life-changing secrets for
years only to spill them when prodded the right way.
It does sometimes seem odd that, with experience of eleven previous
investigations where Carole and Jude had got to the answer before the
police, the police don't take at least a little bit of interest in
them when they start on another. A smart and slightly flexible
detective inspector could leak them a little information, pick up
their theories, do the legwork, and claim the credit for solving the
case; instead, as usual, they're frozen out and have to investigate on
their own, which I suppose is a precondition of the amateur-sleuth
school of mystery.
The book shows some sign of having been written in haste and not
properly proofed, for example with repetitions of words like this:
While they had been inside The Crab Inn the cloudless sky of the
morning had become overcast with dull clouds and the rain was
starting to spit down.
…easy enough to commit by accident, especially if using a word
processor, but also easy enough to spot from a read-through.
The strangest omission here, though, is in the relative absence of
Jude; she's around, and she prods Carole from time to time, but this
is mostly Carole's investigation, with the pair only working together
occasionally. One of the things I've enjoyed in this series is the
slow development of the relationship between the two, and particularly
Carole's gradual approach to something like normal humanity; this book
barely touches on the former, and the latter takes retrograde steps,
with Carole being casually cruel to a variety of people in a way that
she'd largely got away from in previous volumes.
It's still all a bit tired, and I'd recommend that the new reader
start with the better, earlier volumes.
Followed by Guns in the Gallery.
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