2015 SF/mystery; fiftieth (roughly) of J. D. Robb's In Death
series. At the end of 2060, Homicide Lieutenant Eve Dallas comes up
against a new threat: a murderer who's such a fan that he's killing
people who've offended Dallas. And there are a lot of them.
With all the side stories and novellas, this is somewhere between
fortieth (official) and fiftieth (Wikipedia) story in this world. It
doesn't feel like a deliberate retrospective, but it's certainly
carrying the weight of the series' history. There are plenty of
references to earlier cases, not just the big public ones like the
Icove killings (Origin in Death); the first victim is a lawyer from
Rapture in Death, and the second is a minor character from
Conspiracy in Death. It's not necessary to retain all the earlier
books in memory to appreciate what's going on, but it's pleasing to
see Robb taking advantage of the depth of background that's built up
(she's been writing these things for twenty years now) even at the
risk of losing new readers. The wealth of potential victims, of people
who've offended Dallas in some way but not actually been arrested or
imprisoned, is an active hindrance to the investigation.
That said, the mystery side isn't all that compelling as a puzzle:
it's a gradual tightening of data search parameters as more is learned
about the murderer from minor traces left at the killings, rather than
a challenge to the reader to sort out evidence and decide which
background character must have been responsible. Unlike the victims,
the murderer isn't someone we've ever met before.
What is more interesting is the gradual, if predictable, progression
of the villain from Dallas's "true friend", killing the scum of
society that a cop like Dallas is prevented from dispatching in
person, into someone who wants to kill Dallas' other friends and even
Dallas herself. I'm not generally a fan of the villain's-eye
viewpoint, but here it's done quite effectively, not giving too much
away about what's going on.
I suspect Robb is having something of a private joke too: to try to
work out who the killer might be, Eve has to go through her fan mail
(she's reasonably famous in her own right as well as being married to
the richest man in the world), and some of the examples seem as though
they might be just the sort of thing that gets sent to a romance
writer.
"And I got seventy-eight requests for sex, ninety-three if you count
the ones who had sex with me in their dreams or in another
dimension, and nine marriage proposals."
"Having sex with someone who's not me in an alternate dimension is
grounds for divorce."
"In one case we were dragons. Golden dragons who had sex in mid-flight
over a sea the color of port wine."
For a stand-alone novel, this wouldn't be a bad book at all. As the
fortieth in a series, it's quite remarkably fresh. All the usual
elements and secondary characters are here, but they manage still to
seem like real people, not just cardboard figures in the Obligatory
Morgue Scene.
While I wouldn't recommend that the new reader start here, there's
nothing too challenging if you do: the New York of 2060 may have all
sorts of strange tech, but cops are still cops, murderers are still
murderers, and you can probably work out roughly what a stunner is
for.
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