2003 SF, first in a five-book series. Kylara Vatta is thrown out of
space navy academy, then gets a job taking one of the family firm's
oldest ships on its final voyage to the scrapyard. Of course it all
gets more complicated than that.
This is SF with fighting and military forces in it, but not by
any means bog-standard military SF. Ky is trying to keep her unarmed
ship out of trouble, not to kill all the bad guys; and the tech is
described in purely functional terms. Yes, there's in-system drive
(which needs fuel) and FTL drive, but nobody talks about them in
anything like engineering detail: they work, or they go wrong, and
technical details are the engineers' job to fix rather than the
captain's.
Indeed, the environmental systems get rather more attention than the
drives: when you're taking on a load of extra passengers, well, you
do need to connect up toilets and showers in the cargo holds where
they'll be staying, and it takes time to get the recycling plant run
up to produce enough water.
This story is much more interested in the people than in the tech,
though. For example, Ky has a troubled relationship with her father
(brother of the boss of Vatta Transport), but it's not just that she
wants to do things and he sees her as a child; it's more complex than
that, since he has specific ideas about her weak spots which turn out
to be just slightly off the mark, and by the end of the book they may
be on more friendly terms but they're further apart in experience than
before.
This is an odd universe, and we don't get much background, since it's
largely from Ky's viewpoint as a merchant skipper; there's a Universal
Commercial Code which people mostly take seriously, but individual
worlds seem to be independent. The closest thing to an authority is
the company which has the monopoly on FTL communications. Mercenaries
can be hired, and at least some of them try to play by civilised
rules. I'm not sure it entirely holds together, but I suspect it's not
meant to be depicted as a stable situation anyway.
So things get complicated, and go wrong, and go wronger. Ky is good at
what she does, and her military training has clearly reinforced her
existing backbone and leadership abilities, but she doesn't know
everything, and she has to rely on other people to put their skills to
use for her. (This is true of her father, too, who tries to help her
out with family money and influence but finds they're a blunt
instrument at long range.) Some people can cope with violence, some
can't, and some are perversely fascinated by it. There's a victory,
but not without cost.
"They'll be asking if I filled out some form in quadruplicate next,"
Ky said. "They should have a list from the mercenaries of who was
put aboard, and already know that forensic pathologist is not one of
the specialties listed. Of course we didn't do autopsies. We know
exactly what killed them. I killed them."
I've generally preferred Moon's SF to her fantasy works, and though
there are some of her usual bugbears here (Terrible Aunts, polo, the
innate superiority of good military people to everyone else) I find
myself distinctly looking forward to the rest of the series. Followed
by Marque and Reprisal.
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