2012 modern fantasy. For a few years, people have been manifesting
magical powers; in the US, the military has taken control of it all.
Some powers are allowed, some aren't. Oscar Britton, Army helicopter
pilot, is about to develop one of the ones that isn't.
This is a strange book. It tries very hard to give the impression
that it's going to be the urban fantasy equivalent of military SF: one
guy learning to be part of a team, solo magicians called "Selfers"
because the only two options are to be part of the Army or to think
only of yourself, the endlessly-repeated line "skill beats will, every
time", and people who say things like:
"I've killed a lot of people, Oscar. I sleep like a baby. Do you
know why?"
Britton didn't answer.
"I sleep at night because, unlike you, every life I take is
authorized."
And yet, as it turns out, this entire book is simply setup for Our
Hero breaking freeā¦ well, not of the Army mindset, but more taking the
approach that if there are bad guys in the ranks above him he's just
going to have to found his own damn Army. So it's not quite the Rah
Rah 'Murica that the first half led me to expect, which I guess is
something.
"This country was founded on breaking a law. Sometimes laws don't
get the job done. Sometimes it takes brave people to do that."
At least, since the military has monopolised all magic in the US,
there's not too much need for building a world where magic has
transformed society. China is said to be using magic wholesale, though
curiously it hasn't bothered to take over anywhere else, and Europe
has mysteriously become an Islamic state where all magic is banned.
(Is Cole trying to wave a flag for European "population bomb" racists,
or does he genuinely think such a thing is plausible? I have no idea.)
Anyway, there's lots and lots of fighting, death, and bloody
dismemberment. Everyone in this book has taken the Stupid Pills, most
definitely including our hero. A minor sympathetic character turns out
to be a bad guy just because, our hero's leaders repeatedly emphasise
that he's just an expendable tool to them and thus drive him to
rebellion, he repeatedly panics and causes casual death and
destruction as a result, and he falls "in love" with someone entirely
on the basis that she's beautiful. She has no personality other than
not liking the nasty magic she did once, but then again neither does
he. Characterisation is pretty minimal all over, with the women coming
off particularly badly (sexy noble healer, sociopathic femme fatale,
ingenue with schoolgirl crush, and that's the entire female cast).
"Working for the SOC is like working for anyone. It's like our
system of government. For all its flaws, it tries to do good.
Sometimes, it succeeds."
And sometimes it leaves a pile of bodies in its wake because it
couldn't be bothered to take ten seconds for a reality check ("will
this plausibly help us achieve any of our objectives") before setting
off the magical superweapon.
The idea of writing about how the US military structure would respond
if it were handed control over magic is an interesting one, and Cole
clearly knows a lot about being on the grinding end of military
bureaucracy; and many people love these books, but I really didn't
find them even slightly appealing. Nasty people do nasty things to
other nasty people for nasty reasons, and the supposed protagonist is
just a blank playing-piece to carry the camera as we go on a tour of
the world. Followed by Shadow Ops: Fortress Frontier.
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