2013 SF, by the only non-slate nominee for the Campbell this year.
Unaging aliens and their human hosts struggle across the Earth.
This is the book that was in this year's Campbell packet, and
it's book two of a trilogy. The first volume, The Lives of Tao, was
in last year's packet, but after a somewhat negative review from a
trusted source I didn't get round to reading it. I had however
forgotten all of this, and came to this as a stand-alone work. And
skimmed the last three-fifths of it.
It does an entirely adequate job, at least for the experienced SF
reader, of getting one up to speed on what's going on. The aliens are
the Quasing (from the planet Quasar, groan); there are two factions,
the Prophus and the Genjix; the aliens can only leave a host when that
host dies, but can't survive outside a host for more than a few
seconds. They don't control their hosts directly, but can communicate
with them (as "voices in the head"); it's not clear how they asserted
their wishes in the millions of years when they were living in
pre-sapient animals.
Yeah, millions of years. They were riding around in T.Rexes. And with
that much time to think, I couldn't help feeling they really ought
to be at least a little bit smarter than the way they act here. It's
all informed attributes: we're told how amazingly clever they are, and
they have lots of knowledge, but whenever they have to do something
on-stage, they're stupid. In the factional struggle, the Genjix are
the bad guys, and the Prophus are… well, also the bad guys, so much so
that Chu starts dragging in various historical nasties like a
desperate propagandist to try to keep the reader on-side: look, the
Inquisition was their fault, they're casually killing people, they're
worse than us honest. They do very basic political manoeuvres against
each other, care terribly about minor slights, and catch humanity in
the crossfire.
I got so hacked off with the aliens ("Tao" is the name of one of
them), and with the humans who regard them as near-gods, that I wanted
to see a human organisation devoted to taking the bastards down.
Instead, the human hosts mostly mope about their failed marriage and
go all gooey over their child.
What this book utterly fails to do is make me care. About anybody in
it. Not the humans (rather a lot of whom seem to share names with the
author's family), not the aliens, not the terminally cute child, not
even the dog.
I was mildly amused to see the
OTO lumped in
with triads and yakuza as another example of a criminal conspiracy,
but either Chu is trying to imply far more than he's saying or he
really doesn't know what he's talking about.
The book could desperately have used the services of an editor: Angry
Robot, I think distinctly less of you for letting it go out in this
state. How could one stomach having published exchanges like this?
We have to leave soon if you want to catch that flight.
"I don't want to go."
There are many reasons why we do not want to fight. Your son is a
reason why you do.
"You're right. If what we think is happening is true, then Cam won't
have one."
Won't have one… what? Was the word "future" meant to be in there
somewhere? Or this:
"Why couldn't we just modify the nuclear arsenal this world already
possesses?"
"Current working models are inefficient, Father. There is too much
collateral devastation and too little catalyst effect."
The planet is of little use to anyone if it is left inhabitable.
I think you meant "uninhabitable". Nobody even read this through, did
they? Not that I can blame you for that. What finally prompted me to
throw the idea of the book across the room (only the idea, as I was
reading it on a Kobo, and I like my Kobo) was this:
"Why did you assign him to me then?" Jill said, exacerbated. "I
don't need someone like him right now."
Exacerbate.
Exasperate. The
point of language is to communicate. The root of wisdom is to know
what you do not know, and then to look it up.
Oh, and while there's something of a climax, there's nothing like a
conclusion; the third volume is to be The Rebirths of Tao. I do not
plan to read it. This is not award-worthy writing and I will vote No
Award over it. Still, I suppose if rubbish like this can get published
(and nominated for a significant award even over the slate) there's
hope for all of us. I'd love to hear from someone who actually liked
it, though, because I really can't see how anyone could either regard
this as the work of a great writer or think it a suitable lure to get
me to vote for him.
ObPedantry: yes, I am well aware that the John W. Campbell Award for
Best New Writer is not a Hugo award.
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