1981, cosy American detective fiction; second of MacLeod's novels
(as "Alisa Craig") of Madoc and Janet Rhys. In a remote country house
in Canada, old Granny Condrycke has died peacefully in her sleep. With
the house cut off, the family decides to go ahead with Christmas
festivities. But Madoc Rhys, a Mountie who's there accidentally
undercover with his fiancée Janet, reckons there was more to it.
"Accidentally undercover" defines the sort of book this is: Madoc
Rhys, who in the first book was just a competent RCMP detective but
now turns out to have an Important Family, gets invited with his
fiancée by friends of his parents' to their big Christmas celebration
at their family home on the Baie des Chaleurs on the Québec/New
Brunswick border, where they seem determined to have an English
Country House Experience in spite of the climate. His mother's faintly
embarrassed by Madoc's job, since the rest of the family is
professionally musical, and allows her friends to think that he's some
sort of government administrator.
Clearly this is setup for a classic Country House Mystery, complete
with unwise-but-too-well-loving daughter, dipsomaniac uncle, faintly
dodgy lawyer, money pressures, and all the other requirements. MacLeod
obviously knows what she's doing, even occasionally mentioning that
Over in Britain, some sweet middle-aged lady with a penchant for
gore and a driving lust for an advance royalty check would be
pounding out a mystery novel about a house party trapped in a
blizzard
but manages to put her own spin on the standard ideas of the genre.
(Not least because Janet's feckless ex-boyfriend is there too, as the
guest of the daughter.)
Research is minor but pleasing, with a mention of the local phantom
ship legend (which in fact plays a small but important part in the
plot), though I thought that a mention of "twenty-eight degrees below
zero Fahrenheit" was a bit extreme for that part of the world; indeed,
Wikipedia tells me the usual minimum temperature at that time of year
is about 0-10°F, -18 to -12°C.
As a murder mystery, one crucial piece of evidence is never mentioned
until the accusation has been made; I didn't feel there was any way to
pick the actual guilty party out from the others, though he/she was
certainly in the upper half of the suspect list. It's pleasing to see
someone point out that everyone should be considered a suspect until
they've actually been eliminated.
There's a sly sense of humour here, and the book never takes itself
too seriously:
"After your capture of Mad Carew the Murdering Maniac of the
Mirimachi, you are something of a legend in these parts. Is it true,
sir, that you tracked that man of fiendish cunning and titanic
strength one hundred twenty-seven miles through unbroken wilderness,
armed only with a slingshot against a throwing knife, a
double-bitted axe, and a high-powered hunting rifle?"
"The slingshot is apocryphal," Rhys answered.
I'm surprised, therefore, that MacLeod felt the need to include a coda
pointing out that the criminal may in the end get away with it in
court. And one arch line is used twice in that final chapter,
suggesting haste or poor editing.
Short and slight, but with surprisingly well-developed characters.
Followed by A Dismal Thing to Do.
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