1990, first of Douglas's novels about Irene Adler, opera singer,
adventuress, and foil to Sherlock Holmes.
Rehabilitative fan-fiction. I suppose that's a thing. In A
Scandal in Bohemia, the first Sherlock Holmes short story, Irene
Adler was a blackmailing adventuress, clearly no better than she
should be. Douglas, noting that the post-Doyle novels of Sherlock had
exclusively been written by men, decided to try to develop her as a
more interesting character.
As with Isaac Asimov's The Ultimate Crime, this sometimes feels like
an application letter to the Baker Street Irregulars; an afterword
explains how there could be a "King of Bohemia" at a time when the
country was firmly part of the Austro-Hungarian Empire, and deals with
various inconsistencies in the original story.
This Irene Adler is deliberately a mirror of Holmes. He is a detective
with music as a hobby; she is a singer with detection as a source of
spice in her life. He has as his chronicler Doctor Watson; she has
Penelope Huxleigh, a parson's orphaned daughter come to London in
search of employment.
But there's also rather more period detail than Doyle allowed into
what were after all contemporary stories. Adler and Huxleigh interact
in a minor way with Bram Stoker, Oscar Wilde and Antonín Dvořák; they
search for jewels lost in the overthrow of King Louis Philippe, not so
very far in the past; they deal with Tiffany the jeweller. This sort
of thing needs a fine touch, and gets it; any claim of influence on
the course of history is a minor one.
This is also quite a bitty story, with two major plots and several
short and minor ones wrapping round each other; the rise in tension is
driven primarily by the approach of events from the original work, and
in some ways this works more like a collection of short stories than
like a novel.
However, the great thing about this, compared with many other
post-Doyle treatments of Irene Adler, is that she remains consistent
with herself: she is not a mere romantic prize to be bestowed on
Holmes, but someone who contests with him on his own level, both in
the jewel-hunt and in the confrontation over the matter of the King of
Bohemia. She takes a different approach, being more social and less
prone to solve problems by exacting reasoning, but it still one that
works.
It's all a bit, well, introductory, as a story more of developing
female friendship than of action, romance or adventure by gaslight.
But I enjoyed it, and there's always a sense of the ridiculous lurking
in the writing.
"Be of good cheer; there is always a way out of a trap; observe the
humble mouse."
"I have observed the humble mouse—decapitated!—many a time."
"Only the dull ones, Nell. Only the dull."
Followed by Good Morning Irene.
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