Some trailers I've seen recently, and my thoughts on them. (Links are
to youtube.)
Ratter: camera
phones are scary! Here's a cute girl not wearing very much! The most
interesting thing here, that all the people who might be the
"hacker" come over as creepy, I suspect is an accidental side-effect
of the attempt at suspense over who the bad guy is .
Terminus: pretty
disconnected, but looks intriguing even if the ideas are somewhat
played-out. (They almost always are, in SF film, because it doesn't
take a generation to get a new SF idea into print.)
The Conjuring 2: more
possessed-child horror glorifying those evil con artists Ed and
Lorraine Warren. Why are people still making these? Yeah, I know:
money.
Tumbledown: if you've
got two really appealing principals like this, show them off! Even
though the basic rom-com pattern doesn't appeal, this one looks good
simply because it has the sense to let the actors do the thing they
do.
Elvis & Nixon: eh, one
guy looks nothing like Elvis, the other looks nothing like Nixon. Even
if I can accept that, why do I care what happens to either of them?
All Roads Lead To Rome:
what has Sarah Jessica Parker done to her face and can she un-do it
and look like a real fifty-year-old woman please? I try not to be
shallow about this stuff but, like Michael Jackson in later life,
she's fallen into the uncanny valley for me and doesn't look like a
human being any more. Also, Rosie Day plays Generic Troubled Daughter.
Free State of Jones:
ooh, now this looks interesting. Mostly Western in period, but trying
really hard not to look like a generic Western, and succeeding. And
it's about the community as well as the lone hero? I'll definitely be
keeping an eye out for this one.
Eye in the Sky: Helen
Mirren is the new Judi Dench? It all feels a bit contrived, with all
the elements carefully lined up to set up a Moral Dilemma, but with
two really solid cast members (Mirren and Alan Rickman, who died a
couple of days after this trailer came out) they might manage to bring
it to life rather than merely presenting the options and saying "gosh
this is a hard choice".
Kevin Hart - What Now:
I gather Hart is famous for his stand-up, so this may well work better
than his actual films. Not that this trailer will let you know whether
it does.
Money Monster: ah,
crusading journalists are suddenly all the rage now that they're
safely figures of historical fantasy. But that's part two of the film,
which I'm sure will be trite and put the blame for financial
catastrophe convenient on the shoulders of one Nasty Person rather
than admit that the entire system is built on requiring people to act
nastily without thinking of themselves as villains. Still, Julia
Roberts might actually carry this off.
Meet the Blacks: so…
it's a parody of The Purge? But also commentary on how white folks
don't like it when the first black folks move into their
neighbourhoods, because that's so timely. For 1980.
Ip Man 3: a classic
series, but Donnie Yen's getting on a bit these days, and… Mike Tyson?
Oh dear.
10 Cloverfield Lane:
the trailer looks intriguing, but it's by Abrams and it's a sequel to
the utterly uninteresting Cloverfield so I'm out unless I hear rave
reviews.
Green Room: not enough
here to form a judgment. Interesting as far as it goes...
Sing Street: oh gosh,
another film about a young man growing up and discovering Girls. I've
never seen that before. Oh, it's in Ireland, that makes all the
difference.
The Perfect Match:
seems to lean quite heavily on the amazing bachelor life and doesn't
give any reason why our hero would accept this bet. Which is rather
the core of the film, I suspect.
Neighbors 2 - Sorority Rising:
If you liked the first film, here it is again with more bikini chicks.
If you didn't, you've already been put off by the name.
Backtrack: nice to see
that for a change it's a man whom everyone assumes is mad, but this
seems to rely heavily on jump scares considering how many of them
there are here.
Keanu: so… it's a
parody of John Wick? Is January black parody film month or
something? I suspect this needs a supercut of the cat doing its
stunts.
Term Life: because the
important thing about being on the run from the mob is reconnecting
with your daughter. (I assume Mom's dead or gone.) Looks utterly
generic.
Forsaken: another
Western. OK. And Donald Sutherland plays himself playing President
Snow. So what does it have to say that thousands of other Westerns
haven't said just as well already?
Southbound: very
generic-looking horror.
Kubo and the Two Strings:
the environment and the "bad guys" look great, especially the
pale-faced broad-brimmed-hatted witch, but the "good guys" look far
too cutesey, and that particular sort of American kid voice always
grates on me. (This is one reason I watch a lot of Japanese
animation.)
The Confirmation: eh,
just another story about The Menz and the Importance of Fatherhood.
Bored now.
Nine Lives: just pay in
the cheque and try not to think about it, Kevin. Disposable kidvid.
The Secret Life of Pets:
Also disposable kidvid. Really, if your trailer has a scene of
characters going "whoooooooooah" while they fall, or fly, or do
something similarly action-ful, you've pretty much lost me right
there.
Trolls: hey, kids!
Remember that toy line you got bored with a few years ago? Now there's
a film so we can sell it to your younger siblings! Yay!
Zootopia: some lovely
artwork, but it seems as though the primary joke is "we're telling a
standard cop story only with animals as the characters". I hope it
manages more than that. Interesting to note that the
UK Trailer makes the
rabbit-cop look like much more of a competent character…
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