1981 somewhat parodic cosy detective fiction; second of Anderson's
novels of the Earl of Burford and Inspector Wilkins. After the last
one, the Earl swore off house-parties, but it seems it's all happening
again. Including the murder.
Once more, Anderson parodies the 1930s country-house murder
mystery, this time rather more explicitly. Not only does Wilkins
comment on the crime wave among the upper classes:
'Never a week goes by without a nobleman being murdered in his
library - oh, beg pardon, didn't mean to alarm you - or a don in his
study, or an heiress in her bath. And where's it left me? Oh, I've
made Chief Inspector, true—'
but this time there's also a Great Detective, brought in from Scotland
Yard to oversee the case.
'I'll say so, sir. He's a real lone wolf. Doesn't even have a
sergeant to assist him - only his own valet, man called Chalky
White. Ex-cat burglar. Mr Allgood saved his life years ago, climbed
up a high building and brought him down after a drainpipe broke.
Then persuaded the judge to give him a reduced sentence.'
He's also a pompous ass. And there's the film mogul and the actor, the
hard-up scriptwriter scrounging a weekend away, the two suitors for
the hand of the Earl's daughter Lady Geraldine, the Countess's
long-lost cousin and her husband… as always, practically everyone has
a hidden motive, and few people are what they appear. When one of the
suitors is found standing over the body of another guest with a gun in
his hand, even he admits that it must look bad for him - to the point
that he bolts.
In fact the reader has no chance of solving all the various puzzles
on the information given. It is, however, entirely possible to solve
the murder itself (I know because I did). More importantly as far as
I'm concerned, all the characters are interesting (even the pompous
ones) and feel like people as well as the stereotypes they so
obviously represent. The plot itself is rather more complex than the
Golden Age usually allowed, there's perhaps a little too much farce as
the wrong people get accused of midnight shenanigans, and there isn't
enough of Wilkins as he willingly allows himself to be overshadowed by
the Great Man, but overall the book holds together and I found it
highly enjoyable.
There are some rather clumsy name-drops of Peter Wimsey, John Appleby
and Roderick Alleyn; rather more elegantly done is a list of books
including
Ariadne Oliver's Death of a Debutante, The Screaming Bone by Annette
de la Tour, Richard Eliot's The Spider Bites Back
At the end Wilkins is called away to a school murder:
'The matron [...] Found hanging in the gym, her hands tied behind
her back. [...] The odd thing is, sir, she was wearing a Red Indian
headdress.'
If you love this sort of thing, as I do, and are willing to see it
parodied by someone who very clearly knows his stuff, highly
recommended. Followed by The Affair of the Thirty-Nine Cufflinks.
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