1959 thriller. British agent Michael Reynolds travels to Budapest to
retrieve a British scientist kidnapped by the Russians and due to be
shown off at a conference. US vt The Secret Ways.
Behind the desk sat the officer in charge, a small fat man,
middle-aged, red-faced and insignificant. He would have liked his
porcine little eyes to have had a cold, penetrating stare, but it
didn't quite come off: his air of spurious authority he wore like a
threadbare cloak. A nonentity, Reynolds judged, possibly even, in
given circumstances -- such as the present -- a dangerous little
nonentity, but ready for all that to collapse like a pricked balloon
at the first contact with real authority.
MacLean is a great storyteller in terms of plot… but rather weaker at
making one care about the people. Characterisation is thin to the
point of parody: the saintly old resistance fighter, the master of
disguise and deception, the cunning secret police boss, the Big Guy
(one good, one bad), the Girl – well, of course there has to be a
Girl, right?
One does wonder somewhat about British intelligence's screening
techniques for their agents, though. Reynolds fails to perform several
bits of basic tradecraft, falls in love with the Girl, and gets
himself subverted by the saintly resistance fighter to the point that
by the end of the book he's no longer willing to do these jobs.
On the other hand, there are plenty of twists: if this book were badly
translated, it might well end up with the title "aha, really I am
working for the other side". That sort of thing has been endlessly
re-run and parodied since, of course, but this is a book from 1959
when it was rather fresher; the days when one could expect that
readers might have to have it explained to them what a Molotov
cocktail, or a Dobermann pinscher, was, and when the obvious possible
subversions of "we send our hostage towards you, you send your hostage
towards us" weren't quite as obvious. Less successful is the saintly
resistance fighter's lengthy exposition of his pacifist philosophy (in
the "no killing" sense, though knocking people out is just fine),
which comes over as borderline incoherent. On the other hand, the
basic idea that while the Russians and other communists may not be
"just like us" they are still people may have been quite
revolutionary enough for the 1950s; this is a Manly Hero who doesn't
kill people!
For that matter, this is the first time MacLean moved away from the
Second World War (at least at novel length); he wouldn't return until
Where Eagles Dare eight years later. Writing up-to-the-minute books
was obviously a challenge: the secret police agency ÁVO that's the
main opposition here had been renamed ÁVH in 1950 (which is mentioned
but then ignored), and abolished in 1956 during the Hungarian
Revolution; it was never re-established as a distinct agency, though
the Ministry of the Interior took over the necessary job of torturing
and killing people who didn't agree with the rulers.
In the modern day this is an ordinary thriller, somewhat dated by the
fall of communism; in 1959 it was probably something of a stand-out.
Read for Past Offences' 1959
month.
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