1963 classic English detective fiction; seventeenth of Allingham's
novels of Albert Campion. Timothy Kinnit learns, on the eve of his
elopement, that he was adopted, and tries to find out more about his
parentage; then he becomes a suspect in a suspicious death and a
housebreaking.
This book is many things, and the mystery is largely disjoint
from the crime. It's fairly clear who must be responsible for the
housebreaking, at least, and the death may have been purely
accidental: the first death, anyway. Even the matter of Timothy's
parentage is resolved fairly quickly, though there's some question
over exactly what happened in which order. But even so, someone is
trying to suppress the information.
"There are other diseases one doesn't want in a parent. Hideous
things that only come out in the kids. And there's other things as
well. Tendencies, weaknesses."
But before any of that, the happy ending of one of the earlier books
is un-done, and this may have biased me against the rest of this book;
it feels like a pointless bit of nastiness.
This is a continuation of the "death and decay" tendency that
Allingham used most strongly in The Fashion in Shrouds and
Coroner's Pidgin: the Kinnits are clearly falling apart (since
nobody can keep a cook any more they have horrible meals sent from the
local pub); there are people casually described as "not a great
intelligence. She's got no mind. She's not with it, really, but she's
bright enough over money." There's a man to whom the Kinnits have been
so kind that he can't bear it, and he tears them down at every
opportunity. This is a museum of fossilised attitudes from just before
"the sixties" changed everything.
"As far as I'm concerned it never was." Timothy was irritated but
not as angry as he might have been and Mr. Campion, who was
listening to the exchange with tremendous interest, eyed him
curiously. His next remark was unexpected. "Basil is a peculiar
chap," he said. "He doesn't mean these things he says. He just talks
to reassure himself. He means us no harm."
It was a patron's point of view and highly mistaken, as Mr. Campion
knew for a fact. Suddenly he understood that it must be the Kinnit
view of all the Tobermans, the grander family's assessment of a
lesser breed, and for a fleeting moment he caught a glimpse of Basil
Toberman's genuine grievance. Meanwhile Timothy was still talking in
complete innocence and good faith.
But there is a sense that at least it's not all going to come crashing
down; some of the young people are still worth a damn, as is Campion
himself (though he's mostly in the background here). There's not much
Lugg, and no Amanda.
There are coincidences and not a little soap opera, but there's also
urban renewal (and the arguments for and against), and most
importantly (as so often in Allingham) detailed people who act like
the real thing and then grate against each other.
Not a place to start with the series, but a welcome continuation.
Followed by The Mind Readers.
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