1988 mystery; second in Brett's Mrs Pargeter series (amateur
sleuthing). Mrs Pargeter moves into one of a small cluster of new
houses, but it seems that the previous occupant may have come to a bad
end.
This is entirely frothy. Some of Brett's later books (in the
Fethering Mysteries series) have had reasonably complex plots; this
tries, but rather than giving the reader a puzzle to get his teeth
into it just ends up providing a bunch of disconnected incidents, most
of which are meaningless, and all of which are open to multiple
interpretations. In the first book of the series, it was pretty
obvious who must be responsible; in this one, anyone who had certain
bits of information could have dunnit, and there's no way of working
out who those people are rather than who they might be.
The people are somewhat stereotyped, but reasonably well-observed;
they all have their own secrets and the beginnings of character arcs,
though most of them reach no resolution. The writing is generally
pleasing; Brett is rarely sloppy.
The late Mr Pargeter had left her well provided for in many ways,
and each piece of furniture was like a little cassette of memory,
which brought back vividly the circumstances of its purchase (or,
when that was not the appropriate word, of its arrival in their
marital home).
One does however have to wonder why Mrs Pargeter, a vivacious widow in
her sixties who casually dresses in mink and hires limousines, and
whose address-book is full of current and former criminals who will
fall over themselves to do her favours because her husband was such a
good blokeā¦ should choose to move into a nest of yuppies. And why
doesn't she seem to have any friends?
Brett's heart is clearly in the right place, and the obvious loony is
dismissed as the murderer in a metafictional way:
But Mrs Pargeter didn't like that conclusion. For a start, she had a
strong prejudice against murders committed by people who were mad.
She had always disliked them in crime fiction and didn't care for
them much in real life. Madness was so vague, so woolly. Any
motivation and logic could be ascribed to someone who was mad. At
the end of a crime book in which a madman dunnit, Mrs Pargeter
always felt cheated and annoyed.
Yes, all right, I've written similar things myself (and so of course
did Sayers); it's an unfair puzzle. But so I'm afraid is this one, at
least to my way of thinking. Still, Brett can describe someone as
being "sinisterly ungrammatical", and that's why I forgive him the
rest, and will probably continue with the series; they aren't being as
waspish as the later Fethering books, or as revelling in the intrinsic
humour of laughing at old people as the one Charles Paris I've read.
Very light-weight but still enjoyable. Followed by Mrs Pargeter's
Package.
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