1899 thriller, collection of short stories from 1898 with new
material. A. J. Raffles, prominent society man and cricketer, leads a
double life as a burglar.
There are eight short stories here, all narrated by "Bunny"
Manders, beginning with The Ides of March: Bunny is ruined by
gambling, goes to Raffles to beg him not to present a cheque he knows
will bounce, and ends up joining him in the burglary of a jeweller's
shop. In A Costume Piece Raffles steals diamonds from a South
African self-made millionaire (and stage-Jew, complete with red hair
and hook nose), and in Gentlemen and Players he goes to a country
house party and comes up against a professional cracksman. The next
two stories were written for this volume; in Le Premier Pas Raffles
relates his first crime (in Australia), and in Nine Points of the
Law he's on the side of the angels, if not of strict legality, in
recovering a dubiously-sold painting. The final two stories are The
Return Match, where the professional from Gentlemen and Players
returns with a threat of blackmail, and The Gift of the Emperor, set
on an ocean liner where Raffles steals a fabulous pearl – and Bunny is
caught, while Raffles throws himself overboard and is gone even if not
dead, in an obvious attempt at a conclusion to the stories.
(Although Hornung wrote other things after this, just like his
brother-in-law Arthur Conan Doyle he was eventually unable to resist
the urge to bring back his most successful character; indeed, he would
hold out for only two years before cracking.)
Some of the plotting is frankly rather shaky. In The Return Match,
for example, the burglar Crawshay blackmails Raffles to force him to
get Crawshay out of the country; all Raffles actually does is to get
Crawshay out of his own flat, admittedly under the noses of the
police, while the rest of the proceeding is quietly forgotten. On the
other hand, the stories are very modern for 1899: impecunious young
men of the upper middle classes were nothing new, perhaps, but this
particular iteration is firmly rooted in its time (giving up baccarat
and tailors in favour of trade or going to the Colonies is
unthinkable), and The Gift of the Emperor is clearly inspired by the
Kruger telegram and
the outrage it generated in Britain.
While modern critics seem to be required to find homosexual
implications in any friendship between two men, it's a bit less of a
stretch when one knows Raffles is explicitly modelled on a mixture of
George Cecil Ives and Oscar Wilde, and Bunny Manders on Bosie. Raffles
is described as clean-shaven, when that was a style that mostly tended
to be associated with accusations of "gross indecency" (i.e.
homosexual acts between adult men); Bunny gets pettily jealous any
time Raffles talks with anyone female. Still, as far as the stories
are concerned, this is less the love that dare not speak its name than
it is an utter psychological dominance of Bunny by Raffles, who
clearly doesn't care for his sidekick except insofar as he can be
useful. Raffles makes some noise about his code of ethics, but in
practice he's always ready with an excuse for stepping round it when
it would be inconvenient for him; and he keeps Bunny out of his plans,
then apologises fulsomely when he wants something, which while it may
be convenient for the narrative in that it lets Bunny be surprised by
Raffles' cleverness is also very much in the manner of the traditional
serial abuser.
There was some resistance to the idea of having criminals as
protagonists (the first publication of The Ides of March had a
foreword indicating that Bunny was now imprisoned, and an illustration
showing him being dragged by a cloaked and hooded skeleton). Critics
focused on this concern, but the collection was a success nonetheless.
By modern standards it's pretty crude storytelling, full of
contrivance, but considering the style of the time it stands up
reasonably well. There's at least enough characterisation here that
one can work out the relationship between Raffles and Bunny, which is
more than one ever gets from Holmes and Watson.
Freely available at
Project Gutenberg. Followed by
The Black Mask.
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