1985 Hugo- and Nebula-award-winning science fiction, expansion of an
earlier short story. Ender Wiggin is brought up to be the tactical
genius necessary to fight off the alien invaders.
This is a hateful book. Not because it portrays all children as
psychopaths and adults as encouraging them; but because Card cheats.
He is thoroughly keen to get across his message, that this is the
only way to do things, that it may not be nice but it worked so ha ha;
but it worked because he set up the universe so that it would work.
And me—am I supposed to grow up like Graff? Fat and sour and
unfeeling, manipulating the lives of little boys so they turn out
factory perfect, generals and admirals ready to lead the fleet in
defense of the homeland. You get all the pleasures of the puppeteer.
Until you get a soldier who can do more than anyone else. You can't
have that. It spoils the symmetry. You must get him in line, break
him down, isolate him, beat him until he gets in line with everyone
else.
Yes, is the answer. That's exactly what you're supposed to do, and
anything else is what a loser would do.
This is a society that's already warped by expectation of war, that
drafts children to be its soldiers (for no obvious reason, since
there's no immediate need for them); but in the quest for the tactical
super-genius that it thinks it needs, does it actually provide any
training? No, it throws the children into a near-unsupervised mass,
does nothing when they gang up and beat each other to death, and
doesn't even bother to teach them anything. Instead, they're forced to
play endless battle-games, because the tactical genius is so amazing
that he doesn't need any of that boring old training stuff, and nobody
else matters.
"Welcome to the human race. Nobody controls his own life, Ender. The
best you can do is choose to be controlled by good people, by people
who love you.
Nothing is Ender's fault. It's all because of those other boys ganging
up on him, he didn't want to, they didn't tell him it was real, and
he can remain morally pure in his own mind. He never once loses, but
he feels really bad about beating his enemies so that's all right.
Gary Stu all over the place.
Worst of all, though, was the number of people. Ender had no
important memories of cities of Earth. His idea of a comfortable
number of people was the Battle School, where he had known by sight
every person who dwelt there.
Maybe you should have mentioned how many people there were, rather
than naming a significant few and letting the remainder be an inchoate
mass of evil children?
Card always cheats. Oh, no, we're not sexist, because there are some
female child-soldiers ("They don't often pass the tests to get in. Too
many centuries of evolution are working against them."). But the only
one we meet, while good enough to join Ender's special clique of
senior commanders, is the first one to break. The only other
significant female character is Ender's sister, who is even more
perfect in every way than he is. All right, we now know that Card
really does believe this kind of garbage about women, but even
without that information it makes no sense to leave half of humanity
out of the book about humanity's struggle for survival.
It's tedious and repetitive. Cut away to the generals plotting how to
make Ender unhappy and isolated because if he can even conceive of
asking anyone for help he won't become the master tactician they want;
then cut to Ender being unhappy and winning another battle. All right,
Card is trying to write about a tactical genius without being one
himself; but the examples he gives seem simplistic in the extreme.
Terrible characters. Formulaic plot. Predictable twists. Author's
message. A surprising amount of time spent describing naked little
boys. (Yes, of course Card is a homophobe too.)
Recommended only if you still think you're supremely gifted and the
rest of the world just doesn't understand you.
Followed by Speaker for the Dead. Reread for Neil Bowers'
Hugo-Nebula Joint Winners Reread.
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