RogerBW's Blog

The Sundering, Walter Jon Williams 22 March 2018

2004 space opera, second book of Dread Empire's Fall. As the civil war continues, Gareth Martinez and Caroline Sula continue to fight both to keep the Empire going and to save their own careers.

Since I read the first of these books, I've read The Rules of the Game – and I rather think Williams may have too. Certainly the mindset of a fleet that's had a very long period without any real fighting – in which the political types, the button-polishers and the rule-followers have been getting the few available promotions – that's suddenly now faced with a serious war against a peer-level opponent, so that its only chance of success is to find its mavericks, was very familiar. Especially when one of the major sticking points is formation manoeuvres versus independent action.

At the same time, the book takes on many of the characteristics of what some people have used the term "space opera" to mean lately (by analogy with "opera", as distinct from "horse opera" which was the origin of the term): grand settings, huge schemes as the aristocracy sets up various marriage alliances while playing both sides of the war, and great tragedies that flow naturally from who people are: one can see what they're doing wrong, and so can they, but they do it anyway. I was forcibly reminded that Williams also wrote the excellent Drake Maijstral series, and that it's been a while since I read them.

Terza put her arms around him and kissed him. His mind whirled. He couldn't tell whether this paternal impulse was his, or Roland's. He hated the fact that he didn't know, that he himself couldn't tell whether his genes were truly clamoring for offspring or whether he was becoming an unwitting expert at emotional blackmail.

There are space battles, innovative tactics that mostly make sense, betrayals, invasions, and megascale destruction. Yes, all right, perhaps our heroes are just too much the Only Smart People in the Navy, but again that's operatic convention, or perhaps forced by the demands of a narrative containing a relatively small number of characters. It does at times seem remarkably cramped for a multi-world empire, since we keep meeting the same people, but that might be regarded as the result of having an aristocracy at all.

Followed by Conventions of War. Recommended by vatine.

[Buy this at Amazon] and help support the blog. ["As an Amazon Associate, I earn from qualifying purchases."]

See also:
The Rules of the Game, Andrew Gordon

Previous in series: The Praxis | Series: Dread Empire's Fall | Next in series: Conventions of War

  1. Posted by David L. Pulver at 01:43am on 27 March 2018

    I quite liked this one. I suppose the wormhole network itself also contributes thematically to the "cramped" feel of it - you don't go exploring off anywhere, you're limited to stops on the space highway.

    I'm curious what you thought of the Roman Republic parallels with regard to the two lead characters: Martinez has certain character traits and background from Marius (provincial background and accent, new system of tactics, super rich), and Caroline Sula as a gender-swapped Sulla (shady fallen noble background, ruthless, beautiful, etc.). I'm still trying to figure out whether this added to the story or not...

  2. Posted by RogerBW at 08:28am on 27 March 2018

    I'm not familiar with that period of Roman history in any significant detail; I see the names and some similarities, as you point out, but unless Williams actually writes a First Civil War and puts them on opposite sides, it seems so far like incidental colour rather than a major point.

    (Book four of this series is expected to come out this year, so we might yet see that.)

Comments on this post are now closed. If you have particular grounds for adding a late comment, comment on a more recent post quoting the URL of this one.

Search
Archive
Tags 1920s 1930s 1940s 1950s 1960s 1970s 1980s 1990s 2000s 2010s 3d printing action advent of code aeronautics aikakirja anecdote animation anime army astronomy audio audio tech aviation base commerce battletech beer boardgaming book of the week bookmonth chain of command children chris chronicle church of no redeeming virtues cold war comedy computing contemporary cornish smuggler cosmic encounter coup covid-19 crime cthulhu eternal cycling dead of winter doctor who documentary drama driving drone ecchi economics en garde espionage essen 2015 essen 2016 essen 2017 essen 2018 essen 2019 essen 2022 essen 2023 existential risk falklands war fandom fanfic fantasy feminism film firefly first world war flash point flight simulation food garmin drive gazebo genesys geocaching geodata gin gkp gurps gurps 101 gus harpoon historical history horror hugo 2014 hugo 2015 hugo 2016 hugo 2017 hugo 2018 hugo 2019 hugo 2020 hugo 2022 hugo-nebula reread in brief avoid instrumented life javascript julian simpson julie enfield kickstarter kotlin learn to play leaving earth linux liquor lovecraftiana lua mecha men with beards mpd museum music mystery naval noir non-fiction one for the brow opera parody paul temple perl perl weekly challenge photography podcast politics postscript powers prediction privacy project woolsack pyracantha python quantum rail raku ranting raspberry pi reading reading boardgames social real life restaurant reviews romance rpg a day rpgs ruby rust scala science fiction scythe second world war security shipwreck simutrans smartphone south atlantic war squaddies stationery steampunk stuarts suburbia superheroes suspense television the resistance the weekly challenge thirsty meeples thriller tin soldier torg toys trailers travel type 26 type 31 type 45 vietnam war war wargaming weather wives and sweethearts writing about writing x-wing young adult
Special All book reviews, All film reviews
Produced by aikakirja v0.1