1939-1940 short articles published in The Spectator; various
characters from the Wimsey stories write to each other about the early
days of the Second World War.
In fact it's very much in the style of Mrs Miniver, in those
early days of the war before Blitzkrieg became a household word –
but Sayers is a more accomplished propagandist. The overall impression
one gets is of psychological adjustment to a new sort of war, new not
because of new technologies and tactics (which hadn't yet become
apparent) but because of the long wait between the declaration of war
and any fighting that involved the British. (The Finns do get
mentioned here.)
Thank God, I say, we're not saddled with Russia as an ally, which we
should have been if some of our bright intellectuals had had their
way.
Several old friends reappear, written in their recognisable voices.
The actual content ranges from how not to get run over during the
blackout to grandiose plans for the post-war reconstruction of Britain
(all housing and industry to be put underground); it's by turns more
whimsical and more practical than Mrs Miniver.
So far, all the advantage in this war has been with the defence, and
I think we might argue that if every country would provide itself
with a Maginot Line so strong that an attack wasn't worth the
candle, we might reduce land warfare to a sort of perpetual check
and fight everything out by air and sea.
A few pieces deal with the impact of "Lord Haw-Haw", and specifically
of whether the British should make any answer to his broadcasts; this
makes a contrast with a government that seems to have been perceived
as curiously colourless and passive, a bureaucracy locked into
wait-and-see and we-can't-do-anything-yet. This is all, of course,
while Churchill was still First Lord of the Admiralty.
Incidentally, why is the news-bulletin broadcast to the Empire on
the short wave at 11.30 a.m. always so much fuller of interesting
and detailed information than those on the Home Service? Are we
considered mentally inferior to our cousins overseas?
One letter as to Harriet Vane mentions her discouragement with
murder-stories in an age when actual murders were happening by the
tens of thousands, and given that Sayers wrote no mystery stories
after the war (and only Talboys during it) one may imagine that this
reflects her own feelings. Peter Wimsey may be doing diplomatic
miracles, but as a hobbyist detective he has retired.
Some of these letters were used by Jill Paton Walsh at the start of
Thrones, Dominations, but there has never been a formal
republication. A facsimile copy is available at
archive.org.
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