These are my thoughts on the Hugo-nominated novelettes. I'm not voting
this year, but if you are, you may wish not to read these notes until
you have read the stories.
Children of Thorns, Children of Water, by Aliette de Bodard:
there's magic here, and de Bodard's usual Vietnamese culture and
feeling, but this time we're in a ruined Paris (apparently). I believe
this is connected to the novel series Dominion of the Fallen; in
isolation, it has some interesting things to say but the worldbuilding
is very sketchy, and at times it feels like someone imitating de
Bodard's usual tropes without hooking them together. Available from
Uncanny.
Extracurricular Activities, by Yoon Ha Lee: we're back in the days
when Shuos Jedao was alive, and going on a covert rescue mission. This
is a prequel to Lee's Machineries of Empire novels, and I suspect
that like Children of Thorns it would suffer badly without that
context; on its own, it's an agreeable adventure story, but there's
nothing of the perversity of calendrical orthodoxy, and little of the
brokenness of society, that defines the novels. The power it has for
readers of the novels is in that contrast, in all the things it
doesn't say but we know are brewing in the background. If I were
voting I'd feel I had to rate it as a stand-alone, and thus low; but
as a non-voting fan of the novels this is probably my favourite of
this year's novelettes. Available from
tor.com.
The Secret Life of Bots, by Suzanne Palmer: a spaceship is
un-mothballed for one last hopeless mission, and one maintenance bot
saves the day. Very light, and nothing revolutionary about it (one
could arguably trace this sort of story back to Murray Leinster's The
Wabbler from 1942, and certainly through Drake and Niven's Mom and
the Kids from 1990) but good fun nonetheless. Available from
Clarkesworld.
A Series of Steaks, by Vina Jie-Min Prasad: real meat is horribly
expensive, so there's a market in forging it with bioassemblers, and
Helena Li Yuanhui is one of those forgers. This is an oddly
disconnected story: we learn about the world, and about the client who
won't take no for an answer, and Helena takes on an assistant who
becomes a friend, and there's a solution to the problem posed by the
client, but these feel almost like separate stories rather than
blending together. And for some reason Helena never feels threatened
even when she's, well, threatened, which comes over as a little odd.
Still highly enjoyable, though. Available from
Clarkesworld.
Small Changes Over Long Periods of Time, by K.M. Szpara: a trans man
is bitten by a vampire, and things get complicated. This feels to me a
lot like a Message Story, with our hero's trans-ness being rather more
important than any individual personality he might have; that's fine
if your primary desire is to read stories about trans people, but if
you're not automatically interested in that then there's not much else
to grab you. Available from
Uncanny.
Wind Will Rove, by Sarah Pinsker: on a generation ship that's
suffered a suspiciously plot-convenient database wipe, a musician
speculates on the tension between preserving the old and creating
something new. At the same time, there's a consideration of the ethics
of forcing people to be born and die on board the ship: only the first
generation volunteered, after all. There are some lovely ideas here,
but the writing rubbed me wrong; I couldn't feel any particular
sympathy for anyone involved. Available from
Asimov's as PDF.
Since I'm not voting I don't have to rank these, which given my mixed
feelings on Extracurricular Activities is a good thing. On the other
hand I may start taking an occasional look at Clarkesworld.
Comments on this post are now closed. If you have particular grounds for adding a late comment, comment on a more recent post quoting the URL of this one.