Clarkesworld is a monthly on-line magazine edited by Neil Clarke.
Everything is available in HTML from
the magazine's site, and
it can be bought in various other formats.
The Miracle Lambs of Minane by Finbarr O'Reilly has Ireland
recovering after a vaguely described apocalypse (the seas are still
full of mechanical killer squid, apparently), but some very tired
social issues which, yeah, I suppose they will keep coming back
again and again but I'm bored with them now never mind in the
future. Too much of that, not enough interesting people.
Sparrow by Yilin Wang has a window-cleaner being made unemployed by
a robot… but it's all impression, no story, and then it just stops.
When We Were Starless by Simone Heller is a gorgeous post-human
scavenging future, richly described from the point of view of the
Blessed whose job is to lay ghosts. And the ghosts are very real
things. And it has the courage to follow through on its implications
rather than just ending when it might be a challenge to write.
The Facecrafter by Anna Wu, translated by Emily Jin, suffers from an
extremely rough translation to English. Looking past that, it's
another post-apocalypse with everyone living in miserable shelters, a
meditation on the importance of art, and an encounter with gods. It's
pleasant but stretches itself just a little too far trying to cover
all these things.
Thirty-Three Percent Joe by Suzanne Palmer is largely an extended
conversation among a set of cybernetic replacement parts. They're
there to make him a better soldier for the war raging in Ohio… but
also to keep him alive, and those goals clash. It's fun, but perhaps a
little too similar to the same author's The Secret Life of Bots?
In Everlasting Wisdom by Aliette de Bodard deals with a psychic
propagandist for the Eternal Emperor, whispering slogans to her alien
parasite so that it can spread them around the city. It stops, alas,
just as things are moving from scene-setting into plot.
The Falls: A Luna Story by Ian McDonald is mostly observation: a
psychiatrist for AIs deals with her daughter's major accident, and
with her job. Both end up feeling quite thin and there aren't many
useful parallels drawn; I wonder whether giving either of the two
stories the full word count might have worked better.
Endless Forms Most Horrible: Parasites and SF by Julie Novakova is a
quick review of parasitism in the natural world, particularly the
sorts that modify host behaviour. Many of them are familiar, but a
secondary behaviour of Entomophthora muscae is new to me (and not
noted on Wikipedia); while it may be challenging to use it, I think
I'm going to give it a try.
First Contact, Fantasy, and Cooperation: A Conversation with Steven
Erikson by Chris Urie is mostly a promotion for Erikson's new book,
but it's still interesting.
Another Word: In Praise of Taking it Slow by Sarah Pinsker is a call
to take time to revise, re-read, and get a story right before sending
it out to the world. I may not be much of a fan of Pinsker's writing
but I'm all in favour of this.
Editor's Desk: After the Dirty Dozen by Neil Clarke is a
consideration of where he plans to take the magazine after twelve
years.
The Heller definitely gets a Hugo nomination from me; the rest varied
from good to neutral.
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