2013 Hugo- and Nebula-award-winning science fiction. Breq is less than
she was; she has memories of being the AI controlling the huge troop
transport spacecraft Justice of Toren, and of being one of its
"ancillaries", human bodies with personalities overwritten by said AI
and used as soldiers. But she still has a job to do.
This is my first re-review; Ancillary Justice was the tenth
book I reviewed on this blog. Then I saw the book mostly as a
consideration of various forms of loss; this time what struck me most
was was the way in which the culture of the Radchaai deliberately sets
them apart from others. Civilised people wear gloves at all times,
non-Radchaai don't. All Radchaai are "she" and if you're brought up
there you basically don't regard gender presentation as important;
non-Radchaai get all offended if you mis-gender them, which you do all
the time because who cares really? It's reminiscent of the theory that
the laws of the Israelites were intended at least in part to prevent
intermarriage and the consequent dilution or merging of the tribe: if
you can never share a meal with someone, you're a lot less likely to
marry into their family or vice versa.
The viewpoint is Breq's, and as an AI constructed to serve the Radch
she simply doesn't notice things (like the process of making
ancillaries) that the reader is likely to find both horrible and
horrifying: that's just the way things are, and she is even more
compliant with her upbringing than most people tend to be. Even when
she starts to rebel against elements of that upbringing, it is a
rebellion that is consonant with the rest of it.
There's some splitting of timelines, with events that happened twenty
years ago described in some detail, and events of a millennium ago
mentioned where they're significant. This is a time-binding
civilisation that's been going for thousands of years, and if there's
a failure it's that Breq doesn't feel like someone with those
thousands of years of memories and lived experience (not that I
necessarily know what such a person would feel like) – and nor does
Anaander Mianaai, the immortal and many-bodied ruler of the Radch. A
person like that shouldn't be as easily relatable as they are, even if
they can put up an effective façade of humanity.
But this works. It's still one of the best books I've read.
Reread for Neil Bowers'
Hugo-Nebula Joint Winners Reread.
The other nominees for the 2014 Hugo were Charles Stross's Neptune's
Brood, Mira Grant's Parasite, Larry Correia's Warbound, and The
Wheel of Time nominated on the basis of Brandon Sanderson's
continuation of the series after Robert Jordan had died. (Which bit of
rules-lawyering led to the Best Series Hugo.) The only one of those
I'd even consider reading is the Stross, and I'm not enthusiastic.
The Nebula nominees are completely disjoint from the Hugos apart from
this book: they consist of Karen Joy Fowler's We Are All Completely
Beside Ourselves, Neil Gaiman's The Ocean at the End of the Lane,
Charles E. Gannon's Fire with Fire, Nicola Griffith's Hild, Linda
Nagata's The Red: First Light, Sofia Samatar's A Stranger in
Olondria, and Helene Wecker's The Golem and the Jinni. I've read
and enjoyed (and reviewed) First Light, though this book is
certainly better by my lights, and I've heard negative things about
Olondria, but I know nothing of the rest.
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