1994 mystery, fifth in the Robert Amiss series. Amiss is recruited by
his old friend "Jack" Troutbeck, Bursar of St Martha's College in
Cambridge, to help her sort out the politics of how a bequest will be
used. Of course, some people have strong and murderous feelings about
that.
But first we have to endure a lot of tedious claptrap about
"political correctness", all the stories that were made up to sell
right-wing newspapers and then discredited; anyone arguing for more
study of female writers in this book is a third-rate scholar or
simply out for a power grab, because there's no legitimate reason
why anyone would be interested in Aphra Behn, all black lesbians are
regarded as great irrespective of their actual virtues, and anyone
arguing for less hurtful language is just a fascist who wants to
control people. I held my nose and ploughed on.
The factions are the Virgins (trying to do some actual scholarship),
the Dykes (right-on lefties), and the Old Women (the few male Fellows,
who simply want to increase their own comfort). They're all fairly
straightforward, and unlike the previous couple of books there's
little effort this time to make them more complex and real behind the
stereotypes (with one exception, one of the Dykes who turns out to be
an actual person really).
Apart from all the warm fuzzies for readers of the Daily Telegraph,
it works pretty well; a particularly incompetent policeman returns
from earlier books, there's lots of interviewing of suspects, and the
Bursar herself (while obviously a wish-fulfilment figure in some
respects) does at least have a sense of getting some enjoyment out of
life which is largely missing from Amiss, the nominal lead.
'No thanks to you I'm not dead; you nearly broke my neck.'
'All you youngsters nowadays seem to want to be treated like
Dresden,' she said contemptuously.
'Well, you are certainly putting up a pretty good imitation of
Bomber Command.'
As before in this series, one can speculate with some direction, but
there is no possibility of a definitive identification of the murderer
before the revelation.
There's obvious homage to Gaudy Night here, but one gets the feeling
that Dudley Edwards hasn't quite grasped the joy to be found in
scholarship, though she's aware that it can be valued highly. Still,
Jack makes this a great improvement on the previous book. Series
recommended by Gus; followed by Ten Lords A-Leaping.
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