RogerBW's Blog

The Final Girls 26 February 2019

2015 horror comedy, dir. Todd Strauss-Schulson, Taissa Farmiga, Malin Akerman: IMDb / allmovie. Max misses her mother Amanda, who died in a car crash having never transcended her role in Camp Bloodbath, a schlock horror film of the 1980s. After an anniversary screening goes wrong, Max and some friends find themselves living, and dying, in the world of that film.

It's a great idea: the knowing moderns try to navigate the tropes of the film while keeping as many people alive as possible. And much of it works well. But somehow the script always seems to back off from really digging into the implications of its reality: yes, you can invoke a flashback, but what happens if you try to change something that happened "back then"? If the universe is on a 92-minute loop, why is most of the outside film's running time spent in a single iteration, and what does that imply for the characters native to it next time it starts?

But perhaps I'm asking for perfection; what we get is pretty good, with reasonably aware commentary on the conventions of this style of horror film, and more interestingly a genuine sense of connection between Max and "Nancy" (Amanda's character in the inside film). The script may not rise to heights of brilliance but it manages to avoid blatant stupidity; it may go just a little too far for my taste in favour of getting laughs rather than staying true to the characters, but mostly it works. Filming is good and occasionally beautiful (though a few sequences are sadly underlit).

This isn't quite another ideal deconstruction of filmed horror like The Cabin in the Woods, but if you don't expect it to be there's still a great deal of fun to be had.

[Buy this at Amazon] and help support the blog. ["As an Amazon Associate, I earn from qualifying purchases."]

Comments on this post are now closed. If you have particular grounds for adding a late comment, comment on a more recent post quoting the URL of this one.

Search
Archive
Tags 1920s 1930s 1940s 1950s 1960s 1970s 1980s 1990s 2000s 2010s 2300ad 3d printing action advent of code aeronautics aikakirja anecdote animation anime army astronomy audio audio tech base commerce battletech bayern beer boardgaming book of the week bookmonth chain of command children chris chronicle church of no redeeming virtues cold war comedy computing contemporary cornish smuggler cosmic encounter coup covid-19 crime crystal cthulhu eternal cycling dead of winter doctor who documentary drama driving drone ecchi economics en garde espionage essen 2015 essen 2016 essen 2017 essen 2018 essen 2019 essen 2022 essen 2023 essen 2024 existential risk falklands war fandom fanfic fantasy feminism film firefly first world war flash point flight simulation food garmin drive gazebo genesys geocaching geodata gin gkp gurps gurps 101 gus harpoon historical history horror hugo 2014 hugo 2015 hugo 2016 hugo 2017 hugo 2018 hugo 2019 hugo 2020 hugo 2021 hugo 2022 hugo 2023 hugo 2024 hugo-nebula reread in brief avoid instrumented life javascript julian simpson julie enfield kickstarter kotlin learn to play leaving earth linux liquor lovecraftiana lua mecha men with beards mpd museum music mystery naval noir non-fiction one for the brow opera parody paul temple perl perl weekly challenge photography podcast politics postscript powers prediction privacy project woolsack pyracantha python quantum rail raku ranting raspberry pi reading reading boardgames social real life restaurant reviews romance rpg a day rpgs ruby rust scala science fiction scythe second world war security shipwreck simutrans smartphone south atlantic war squaddies stationery steampunk stuarts suburbia superheroes suspense television the resistance the weekly challenge thirsty meeples thriller tin soldier torg toys trailers travel type 26 type 31 type 45 vietnam war war wargaming weather wives and sweethearts writing about writing x-wing young adult
Special All book reviews, All film reviews
Produced by aikakirja v0.1