2015 horror comedy, dir. Todd Strauss-Schulson, Taissa Farmiga, Malin
Akerman: IMDb /
allmovie.
Max misses her mother Amanda, who died in a car crash having never
transcended her role in Camp Bloodbath, a schlock horror film of the
1980s. After an anniversary screening goes wrong, Max and some friends
find themselves living, and dying, in the world of that film.
It's a great idea: the knowing moderns try to navigate the tropes
of the film while keeping as many people alive as possible. And much
of it works well. But somehow the script always seems to back off from
really digging into the implications of its reality: yes, you can
invoke a flashback, but what happens if you try to change something
that happened "back then"? If the universe is on a 92-minute loop, why
is most of the outside film's running time spent in a single
iteration, and what does that imply for the characters native to it
next time it starts?
But perhaps I'm asking for perfection; what we get is pretty good,
with reasonably aware commentary on the conventions of this style of
horror film, and more interestingly a genuine sense of connection
between Max and "Nancy" (Amanda's character in the inside film). The
script may not rise to heights of brilliance but it manages to avoid
blatant stupidity; it may go just a little too far for my taste in
favour of getting laughs rather than staying true to the characters,
but mostly it works. Filming is good and occasionally beautiful
(though a few sequences are sadly underlit).
This isn't quite another ideal deconstruction of filmed horror like
The Cabin in the Woods, but if you don't expect it to be there's
still a great deal of fun to be had.
Comments on this post are now closed. If you have particular grounds for adding a late comment, comment on a more recent post quoting the URL of this one.