1991 mystery; first of Granger's novels of Chief Inspector Markby and
non-detective Meredith Mitchell. Mitchell is British Consul in
Bratislava, home on leave to support her actor cousin Eve as Eve's
daughter Sara gets married. Markby was a friend of Eve's deceased
husband, and is giving away the bride. But it's Mitchell who will
discover the body of the local potter who may have had something going
with Sara…
As mysteries go, this is quite an odd one. In some respects it's
extremely slow; there's no body until chapter 5 of 14, and there's
lots of talk about old times. It's quite old-fashioned in its
attitudes, as Granger tends to be anyway; as part of a fairly detailed
dissection of the psychology of the victim, there's a suggestion that
Sara shouldn't have been at all surprised that he thought he was in
with a chance with her and became annoyed when she got engaged to
someone else: after all she had been friendly to him and was
voluntarily spending time in his company. Er, well.
One significant misstep to my mind is the prospective husband, a young
man who's hailed by everyone as terribly intelligent, but who is
insulting to everyone he meets – and pointlessly so. No sooner does he
hear that Mitchell's in the diplomatic service than he goes off on a
rantlet about helping feckless hippies. Whom does that benefit? It
doesn't make him feel better or look good in front of the woman he
wants to marry, and it doesn't incline anyone else to do him any
favours. I won't deny that there are people like that, but they aren't
clever people. (One might also reasonably wonder what he sees in Sara,
or she in him.)
One feels too that Markby should have done a better job of saying
why he thought Mitchell should stay out of the investigation, a
thing he's obviously required by the pro-am mystery formula to say: on
the one hand, that her having spoken with a witness could compromise
the police case (he tries this but puts it very badly, making it sound
as though he thinks she would be tampering with the witness rather
than just being accused of it by the defence), and on the other, that
someone poking around might quickly become a target for a further
covering-up murder. (And something not entirely unlike this does
indeed happen.)
But these objections, while significant, don't make much of a dent in
my overall enjoyment of the book. Both Mitchell and Markby are
interesting people with their own lives and experiences, and as they
start to fall for each other (there are 15 books in this series and
Granger takes it slowly) they have to work round real differences in
worldview, not just spurious misunderstandings.
This is a thoroughly relaxed book, almost entirely lacking in action,
but I found that I greatly enjoyed it. The mystery is reasonably
obvious with a bit of thought, but its resolution is very much in
keeping with the characters that have been established.
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