1992 cosy American detective fiction; fifth and last of MacLeod's novels (as
"Alisa Craig") of Madoc and Janet Rhys. They've gone to Wales to help
celebrate Madoc's great-uncle's 90th birthday, but soon enough there's
a dead body to be dealt with.
There's a huge cast (with a crib at the front), but alas there's
also a great deal of mundanity in the half of the book that precedes
the murder, including a number of tediously unpleasant people; I
quickly found myself not really caring who was who, or what they'd
said or done, because there were just too many of them and none of
them really managed to be interesting. From the murder onwards, about
a third of what's left of the book is taken up in flailing around;
then, suddenly at the 66% mark, everything starts being solved, with
entirely unforeshadowed reasons for people to have been doing things,
because everything must suddenly now be wrapped up neatly, all the
good people sorted out and if possible paired off, all the bad caught
and/or made miserable.
And some comma splices, though not as many as in the last book, and
some sentences that are just wrong.
"I rather suspect Arthur's death may have occurred under less than
dubious circumstances, and everyone keeps hushing it up for Lisa's
and Tib's sakes."
There's also an unusually gruesome means of murder which seems out of
keeping with MacLeod's comic style, and I can only think that she
didn't fully consider the implications of it.
There are rather fewer comma splices than in The Resurrection Man, but
several got through and I am now sensitised to them in MacLeod's
writing.
Possibly if you've never been to Wales you may find the atmosphere and
rude mechanicals amusing, but had I had the editing of this I'd have
excised characters and subplots until I had a neat contained story,
then given the characters who were left actual characterisation
rather than comic traits.
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