2017 science fiction, 10 episodes. The space bounty hunters rapidly
shift into preparations for all-out war.
The key difference between something like this and something like
Dark Matter, I think, is that while Dark Matter is spackle that
will conform round anything it's given, while this show started that
way it's found a voice and an idiom of its own. Even if it's one that
changes a lot: the Nine Families who were so important in the first
two seasons are largely missing here, because the role of the
opposition has shifted to the aliens who've previously been
infiltrating by taking over humans, and apparently they have a fleet.
But the great big battle only happens in the last episode; the rest is
setting things up for that battle, which means recruiting allies who
don't necessarily believe how high the stakes are. So while there's
plenty of people arguing on a spaceship there are also important
recurring characters, some of them returning from earlier seasons,
some introduced here, and the stories are very much more about the
people than they are about the zoomy spaceships.
I was particularly impressed by Kelly McCormack, as a technician who's
allowed to be not only clever but clever in a different way from the
character of Johnny who's usually the scripts' mouthpiece for sciencey
stuff. Too many writers have only one mode of "smart person" available
to them (just as too many regard "the girl" as a character
definition), and it's pleasing to see that some people here realise
that there's more than one way of doing that.
Yes, most things will get resolved by the end of the episode and every
planet looks like the Canadian forest, but this show has shed much of
its generic skin and moved into something distinctly more interesting.
The series returned for two more seasons.
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