2012 thriller, tenth in the series about Charlie (Charlotte) Fox,
former soldier and currently private bodyguard. Charlie's on a new
assignment, guarding an old client while he goes on a fundraising trip
for a friend's charity. But she's not sure she can trust either her
partner or her fellow bodyguards… Spoilers for earlier books in the
series.
The basic problem with bodyguarding as a narrative core is that
if you want to have exciting things happening your heroine has to go
along with it when the principals try to do stupid things. Otherwise
both bodyguard and principal are out of there at the first whiff of
trouble, or the principal never gets to use that bodyguard firm again.
That's been an ongoing niggle in this series, and it doesn't go away
here.
The big change, which feels at first like a cheat, is that Charlie's
lover Sean has woken up from his book-9 coma with a huge gap in his
memories, so that his attitude's been reset to where they were in the
very early books: he thought she was responsible for his having been
thrown out of the Army, and now suddenly here she is being good at the
same things he does and sharing an apartment with him… I thought that
this might be the usual writer's error of thinking that established
couples are boring and therefore throwing in a disruption, but Sharp's
doing a better job than that. Yes, for much of the time Sean is the
uncommunicative hard man that he was in those early stories, and one
really wonders what Charlie saw in him back then; but it becomes
apparent that he's becoming a slightly different person from the one
he was first time round, and that is interesting, even if he has
never in this series been anything like a sympathetic character.
Oh, and there's the actual mission. Which includes possibly the best
helicopter crash I've ever read, and then moves on to the main action,
which is basically Die Hard on a boat in the Big Easy. (Thus the
title.) There's a certain amount of authorial hand-on-the-scales to
keep Charlie disarmed for longer than is entirely reasonable, but
naturally she works out what's going on and mostly saves the day.
(Because Charlie never gets a complete success.)
I've said before that I think Sharp writes action better than other
description, and I continue to feel that way; the story does drag a
little at first, apart from that helicopter crash, but once we get on
board the boat and things start going horribly wrong it all picks up
pace and enthusiasm.
It doesn't hurt that Sharp gets details right. OK, I haven't been a
bodyguard or worked with guns, but I know a certain amount about both
from research and conversation; and Sharp isn't one of those authors
who'd call an Uzi a machine gun or copy-and-paste a description from
the catalogue of lethal toys.
It's been a few years since I read one of these; after Fifth Victim
and the Fox Five short story collection I rather lost enthusiasm.
But whether the books have got better or my taste has shifted, I
enjoyed this one a great deal.
Comments on this post are now closed. If you have particular grounds for adding a late comment, comment on a more recent post quoting the URL of this one.