2015 military SF, last of its trilogy. James Shelley has abandoned
friends and family to be a covert soldier for The Red, the mysterious
AI that's now a power in the world. But just because he thinks the
things he's doing are important, that doesn't necessarily make him
valuable.
There's a weird omission in this book. Shelley has an emotional
regulator, originally installed to help him deal with combat stress,
that has become the avenue by which the Red gives him "feelings" about
missions. And, because they have all the emotional punch they need, he
trusts them above the chain of command or his fellow soldiers. Which
is rather like being a religious fanatic, which he notices… or a
paranoid schizophrenic, which he doesn't.
But later on when he decides to disconnect this channel… it doesn't
seem to make much difference to his feelings except that he's now
prepared to abandon a mission when it's turned suicidal, implying to
me at least that he wasn't particularly being manipulated after all.
So why does he still have the huge dislike for a planned Mars
colonisation mission, which isn't at all of a piece with the rest of
his psychology? Why doesn't he notice that maybe having allowed his
girlfriend to believe he was dead might not in fact have been the best
thing to do from any viewpoint other than that of making him a
dedicated soldier for the Cause? And why does he continue to believe
that the Red is basically on the right side, given how often it's been
willing to throw him away and how much conflict it's used him to start
under the guise of taking care of major threats?
All right, he's not a particularly introspective person, but I did
find this a bit of a let-down, particularly combined with the lack of
conclusion to the overall story: most of the players in place at the
start of this book are still in place at the end, and nothing's really
been resolved. We still don't know what the Red is, or what its
goals may be (if any). This feels more like a series entry than like
the conclusion of a trilogy and, presumably, the last look we'll get
into this world, though Shelley's own story has definitely come to a
discontinuity that makes it a reasonable place to end his own
narrative.
The actual missions are rather better-handled, portraying a highly
fluid situation in which allies and enemies can quickly swap places
and the grunts on the ground have no way of keeping track of the
politics even if they do have a bird's-eye view of the battlefield.
But earlier books in the series had more to offer than just the
missions.
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