1954 audio thriller by Francis Durbridge, in eight parts: Paul Temple
is a professional novelist and amateur sleuth. A young woman is
murdered, and her boyfriend is set to hang. But her father is
convinced that the man is innocent.
There's rather more urgency in this setup than usual: all the
evidence points the man's guilt, and only a vague feeling of
uncertainty from the father – who gave evidence against Gilbert
himself – gets Temple involved at all. It's a little thin, and the
actual evidence turns out to be thinner still, though of course when
there's a bolshy young man and no other explanation the police and
courts are quite happy to go for the obvious answer.
It does all rather fall apart towards the end, with sudden revelations
of un-foreshadowed stolen jewellery and microfilm and dead master
criminals and no, no, this is all just too much. If you want us to
treat the thing as a mystery rather than "the master sleuth explains
why he was right all along", you have to give the reader some of the
background, though of course one can work out quite a bit from knowing
which people had been told what. There are also slightly too many
characters, most of whom sound rather too much like each other.
But it's saved by Marjorie Westbury as Paul's wife Steve, who gets
rather more of a role here than in some of the other Paul Temple
serials I've heard; she's Paul's sounding-board and explanation-target
as always, but also manages to do quite a bit in her own right. The
best moment of the whole thing for me was when she put off a bumptious
suspect with:
"Miss Wayne's an old friend of mine. I gather you know each other."
"Slightly."
with a gorgeous chill in the voice.
This series hasn't ever risen to greatness, but this early one has
more of a sense of fun than the others I've heard so far.
Comments on this post are now closed. If you have particular grounds for adding a late comment, comment on a more recent post quoting the URL of this one.