2007 audio adaptation by Michael Bakewell of Christie's 1956 mystery,
in four thirty-minute episodes. Ariadne Oliver has been blandished
into organising a murder-mystery clue-hunt at the summer fête held at
Nasse House, and she calls in Poirot to give the prize; but the
film-obsessed local girl playing the victim is found strangled…
This is quite a patchy 1950s Christie: all the bits are there and
shuffled into a new order, but it's not the 1930s any more, and she's
running out of new ways to use the same pieces. The solution relies on
quite a lot of what the reader's been told turning out to be lies; one
could work out who dunnit from a study of times and places, but I
defy people to work out why before the dénouement.
As a result, and I suspect because this is Bakewell who does
relatively straight adaptations rather than say Joy Wilkinson who
feels a bit freer to adapt the story for its new medium, there's an
awful lot of going round and round without any real sense of narrative
progress – especially in part three, when Lady Stubbs has already
vanished, but clues are still being dribbled out with parsimony
because all the resolution is going to be kept for the final part.
This isn't helped by a very female-heavy cast, who don't go to any
great trouble to sound different from each other; in particular Mrs
Folliat and Miss Brewis (Rosalind Knight, Liza Sadovy) rather blend
together, which can be inconvenient in early episodes. Julia McKenzie
as Ariadne Oliver plays up the silliness, while John Moffatt as Poirot
does a decent but uninspiring job.
What changes there are – like including the actual sound of a final
gunshot, and the clichéd startled crows to follow it – don't seem to
improve matters, though I suppose Bakewell may have felt that a modern
audience wouldn't understand the implication of an honourable suicide
without that cue. (And at least he gets rid, among other material from
the book, of Poirot's tedious comments on what a shame it is that
female hikers don't dress to attract men.)
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