1982 mystery, second in the Richard Jury series (cosy-ish mystery).
The long-missing younger daughter (who may have been playing a Brat
Farrar) turns up stabbed on a foggy winter's night…
It all feels very mechanical at times, not helped by Grimes's
continued insistence on writing these English people as though they
were Americans. Here's the obscure murder weapon, even though there's
no particular reason why the murderer should have used that rather
than a normal knife. Here's the most obvious suspect, with the
unbreakable alibi. And so on.
Melrose Plant is back, and fortunately his tiresome Aunt Agatha is
mostly not. He treats the thing much more as a game than does Jury,
which makes for some interesting exchanges on the rare occasions when
they meet.
But there's a whole sub-plot with a child abandoned by his mother
which feels squeezed in, and everybody in the Big House seems to
have been scheming to get their hands on the old man's inheritance
(which makes the old man himself seem like a rather foolish sucker for
anyone with a hard-luck story), and it ends up smelling of the lamp
rather more than it ought. The cogs and levers are very well set up,
but I shouldn't be able to see them moving.
Harder work to enjoy than it ought to be, therefore, but I'll try
another eventually.
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