2000 audio adaptation by Michael Bakewell of Christie's 1932 mystery,
in five 30-minute episodes. While "retired" and visiting a Cornish
resort, Poirot finds a young woman who has already survived several
murderous attacks.
It doesn't help when one of the core tricks of the story has been
used by in another mystery I've read recently. Well, that's life. But
I do think this one relies on the reader not thinking of that
particular evolution, because once one comes up with the idea
everything slots very neatly into place with a minimum of red
herrings. At the same time, this is a very puzzle-heavy story, with
relatively little character to leaven it, what with all the machinery
of possibly forged wills and secret engagements and all the rest.
As usual for Bakewell, the adaptation is a fairly straight one, with
most of the weight put on Jenna Saunders (Nick) and Susannah Hamilton
(Freddie), who do all right but don't get to stretch very far.
Meanwhile, Terence Edmond and Richenda Carey as the Stocks make such
unconvincing Australians that I was half waiting for an imposture to
be revealed. (Were there really no actors able to manage an Australian
accent, rather than a broad parody, working for the BBC in 2000?)
There are a few changes, but they're relatively minor ones, probably
more for timing than anything else. As usual, all the key plot points
are here and things bowl aling with reasonable liveliness even when
Christie may drag.
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