2021 SF, first of a series. Marca Nbaro has committed various forms of
fraud to get aboard one of the nine treading Greatships that link
human worlds (and the enigmatic aliens). This turns out to be a very
good thing.
This is very much a story of personal growth, but at the same
time Nbaro turns out to be extremely good at the skills needed for
shipboard life both in general and when called on in a crisis. You
could say "Mary Sue" if you wanted to, I suppose, but as with Tanner
Malone in the Rich Man's War series her success is mostly a matter
of keeping her head in a crisis, combined with a reasonable dose of
luck, and the desperation (having come from a much less padded
background than her shipmates) to get a wedge into any slight
opportunity for betterment that presents itself.
It's quite reminiscent of the Free Traders in Heinlein's Citizen of
the Galaxy: while these merchant crews aren't a completely separate
society, and indeed members of some classes are required to do a
merchanting run as part of their education, it immediately becomes
clear that they definitely are their own subculture. Indeed, Nbaro,
who's had an thoroughly abusive upbringing, starts off extremely
defensive whenever anyone tries to interact with her in a positive way
(because to her that's always meant they're lining up to screw her
over); it's not laid out explicitly, but this sort of positivity is
clearly something that's outside her experience.
There's also an awful lot of crunchy detail, and if you can't work out
that Cameron has served aboard a large aircraft carrier then you
really aren't paying attention. On the other hand, the jargon makes
some degree of sense:
"Honestly, I don't know. Half our jargon is from the old United
States Navy and the other half is from the ancient British Royal
Navy, and there's a bunch from early spaceflight operations and some
even from Old Terran trucking. Navies are the most conservative
linguists anywhere — we preserve even the meaningless terms for
hundreds of years."
The background culture is a little hazy – it has to be the one that
came out of Earth's ecological collapse, and a determination not to
repeat those errors, and at the same time it must allow for Bad
People, and it has to be obviously inspired by the Venetian merchant
empire of the middle ages. Nbaro has a complicated history with that
culture, and I'm sure there'll be more about it in future books; as it
is that strand of the story seems to cut off quite sharply once the
voyage has begun.
Some of the numbers strike me as iffy: for example, a landing speed of
six metres per second, into the electromagnetic grapple, is considered
dangerously fast, even though the same ships are launched down that
same electromagnet at six gravities for several kilometres. I think
most writers would just leave the numbers out, these days, and the
book wouldn't be worse for it.
There's definitely a military flavour, and you could even call this
space-navy SF, but this isn't a military force even though it
has some similar characteristics. That alone would have made it
worth exploring; what's more, there's a pleasing middle path between
the military found-family being perfect in every way and just more
abusers for Nbaro to deal with. Some of them are pleasant, some of
them are not, but all of them have to do their jobs and there really
isn't time for much else.
This is book one of a projected series, and it ends on something of a
cliffhanger, though there has been at least a basic explanation of
what's going on.
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