2009 science fiction, dir. J. J. Abrams, Chris Pine. Zachary Quinto:
IMDb /
allmovie. A
franchise reboot, but yet another civilisation-scale threat.
Well, it's certainly a visual treat. Lens flare jokes aside, one
can see what's happening, and it all makes visual sense - none of
those blank expanses that result from filming a model from too close.
And some of the performances are pretty good: each of the principals
was given a free choice of mannerisms to adopt from their predecessors
in the role, and they do at least manage to look as if they're not
just copying Nimoy as Spock or Nichols as Uhura. Sometimes they're not
doing much at all, mind: Anton Yelchin as a painfully young Chekov
(who shouldn't, canonically, be there from the start at all) just
comes over as painfully young, and Chris Pine as Kirk – on whom the
entire film is supposed to rest – just comes over as a cocky arse,
much like Tom Cruise in Top Gun.
But when it comes to the script, well, it's just another Kurtzman-Orci
effort. They'd done Hercules and Xena, and the famously
directionless Alias, and at this point had just started Fringe;
they've been involved at a high level in every Trek film and TV
series since this one except for Beyond. But while they can turn the
handle and crank out yet another threat, and I suppose we should be
grateful that they aren't eternally recycling villains from earlier
incarnations the way Doctor Who did… well, great heroes need great
villains, and this villain is dull. His wife died when his planet
was destroyed (so did everyone else there but never mind them), and he
blames the Federation for failing to prevent it (it's not at all clear
why they failed to prevent it, unless the shockwave from a supernova
travels unpredictably faster than light) so he's stolen a ship and
jumped back in time to destroy the entire Federation, har har har.
(Why does his crew go along with this plan?)
Start to poke it and it crumbles, and even very kinetic effects aren't
enough to make me not poke it. Why is the everything-jammer mounted on
the "drill", hanging down into planetary atmosphere, rather than on
the well-protected ship that it's hanging from? Why can't that drill
unit simply be shot from orbit, and before you answer remember that
people can skydive onto it and shoot it with small arms. Why is
Enterprise's engineering section so spacious, and why does most of it
have to be taken up with pipes carrying huge masses of water at great
speed? (I've been in warship engine rooms.) If you manage to
distract me enough that I don't notice the problem until I'm thinking
about it later, that's not good writing but you have at least done
your job. This film doesn't even reach that level.
I'm not even talking about standard Trek rubbish like riding the
wavefront of an explosion. Meh. And of course philosophy and
characterisation more than the superficial go by the board when you
have a feature fim budget and you have to appeal to the most stupid
member of the film-watching and download-buying audience.
Many films are reasonable at providing disposable entertainment; this
is just about one of them. Some of them rise to the level of actually
giving the viewer something to think about as well, and more than most
franchises Star Trek has often done a decent job of that; but this
really isn't one of those films.
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