2011 thriller, first of an ongoing series; translated from the
original German by Rachel Ward. Nea Fox is a private investigator,
going in undercover to a weekend gathering in a house said to be
haunted. It's all going to get much more complicated.
This seems at first as though it'll be a country-house sort of
mystery, but the action escalates fast, and it soon becomes clear that
it's a conspiracy thriller – against an actual cult, with hooded
robes, naked sacrifices, and the whole bit. (It's not an occult mystery,
though – what matters is not whether these dark powers are real but
what people will do as a result of believing in them.)
There's also a lot of… well, what in a normal thriller would be
foreboding, as Nea goes out to dinner with an old friend she hasn't
seen for a while and they catch up on their lives. In most thrillers,
that old friend might as well be called Dead Meat, and they'll be
stapled to a windmill by the end of the next chapter – but not so much
here, and Nea is effectively shown as someone with a real life that's
separate from going out and adventurously smiting the ungodly. (Though
we still don't learn a great deal about Nea herself here, such as how
she came to be involved in the whole PI lark and indeed anything she
did before the first page – for an iconic character like Indiana
Jones they can reasonably be introduced with all their talents and no
questions asked, but I think Ellis is trying for someone a bit more
human.)
Also, for a conspiracy thriller, there's surprisingly little of the
usual motif that nobody is trustworthy and the cult has power
everywhere; indeed, while they clearly have plenty of resources, they
mostly use them to pull effective vanishing acts when the
investigation gets too close rather than to deflect officialdom and
hassle the good guys.
But there is investigation here between the segments of action,
including an ancient-mechanism puzzle, and I'll admit that this
paragraph turned my mild liking from the book to real enthusiasm:
‘There are five thousand and forty possible ways to reach each of
the seven slabs in turn,' I said. ‘I know that the problem is very
hard to solve for a large number of places, but for only seven it
should be fairly easy. A short program with only a few dozen lines
of code should find the solution for us very quickly.'
This is absolutely true; but more importantly, it's lovely to see this
moderate degree of programming talent treated as a skill that a normal
person can have rather than being the domain of the dedicated hacker.
This doesn't quite fit into many of the standard thriller patterns but
I found I rather enjoyed it.
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