1978 mystery. The rich old woman dies, not unexpectedly. But her
relatives and her solicitor are all going to be surprised, some of
them fatally.
There's a relatively small cast, some shenanigans with a will,
and questions about inheritance, theft and blackmail. The housekeeper
and gardener insist on leaving to seek further employment, then
disappear. There are unwise relationships aplenty.
But the thing that this whole story hangs on is not the narrator,
Virginia, who has some sort of medical job, but Felix, her estranged
husband he's a compulsive fabulist, a little like one of the
characters in The March Hare Murders thirty years earlier. Virginia
quite likes him, from a distance, but can't bring herself to fall for
him again because she's seen his tricks too many times.
So when the gardener and housekeeper have disappeared, they show up in
Felix's flat in London, apparently as his friends. Felix makes all
sort of claims, some of which may even be vaguely true. Virginia, who
still clearly has some feelings for Felix, is somewhat tossed on his
waves, particularly in the matter of what she's going to tell the
police and when.
The only voluntary work that Felix had ever done among the criminal
classes, so far as I was aware, had consisted of drinking with them
in pubs and I thought that Patrick probably knew this.
Felix does most of the actual detective work here, and Virginia mostly
reacts to Felix; but her reactions, and her own separate observations,
are great fun, a welcome change from Ferrars' tendency to write
habitually hysterical woman.
It's an odd setup, and Ferrars managed to carry it on for several more
books; I confess I'm intrigued.
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