2022 Victorian romance. Julia Wychwood suffers from professionally
invalid parents and crippling shyness, and her only escape has been to
rely on her friends and to pretend illness herself. But her friends
are away for a crucial few days, and her parents are forcing her to
socialise. Meanwhile Captain Jasper Blunt, notoriously cruel hero of
the siege of Sebastopol, rumoured to have a string of bastards and a
haunted estate in Yorkshire, is looking for a rich wife…
It all gets rather complicated. Jasper needs money, and marrying
an heiress is clearly a way to get it, especially if she's sickly.
Julia finds him terrifying, but when they get a chance to talk it
seems he's more complex a character than the mask he wears for the
world. He keeps rather a lot of secrets from her, even as he's falling
in love – but while I normally despise that kind of behaviour from
principals, I must admit that he has some reasons for keeping quiet,
even if his methods rather reek of Bluebeard.
And in the end I like these people, even with their secrets and
deceptions. For me these are the key ingredients of a romance: that I
should like the principals separately, and that I should find their
love a plausible one that seems as though it's going to last. In this
case we also get the comparative rarity of a heroine with female
friends – even if they are out of London when everything starts
happening, their immediate reaction on hearing of Julia's sudden
marriage is to charge off to Yorkshire to rescue her. And yes, there
are references to Beauty and the Beast (and not missing the point
the way so many do, that the moral is "handsome is as handsome does"),
but never to the extent of taking over the story.
I'm continuing to enjoy Matthews, and I especially appreciate her
efforts to anchor her stories in actual contemporaneous concerns
rather than simply transplanting modern people into prettier clothes.
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