1992 mystery. Helen Lovelace dies peacefully at eighty-eight. But when
her surviving relatives turn up, a glamorous Hollywood star and an
Australian businessman, one will soon be shot dead and the other
suspected of the murder…
There are missing emeralds (but who knew they were fake?), and a
foggy night, and soon enough the housekeeper is near-fatally drugged
too. There's a mentally-retarded man who may have attacked the
star when they were younger (or did she make it up?). Even more than
usual in a murder mystery, there are very few firm facts from which to
begin the process of deduction.
And of course this is another Virginia Freer book, so the housekeeper
asks her to call in Felix (Virginia's separated husband, still a
pathological liar) to try to clear one of the suspects.
It's quite an old-fashioned sort of story, with some distastefully
old-fashioned attitudes; but Ferrars was 85 when it came out, and
frankly seems to have done a better job of adjusting to modern life
than many mystery writers who just keep writing in the setting they
know from their youth, with the calendar turned forward a few decades.
This book effectively evokes a claustrophobic atmosphere while not
actually restricting its characters' movements, which is a neat trick.
This seems to have been the last book Ferrars wrote in the series, and
there's no resolution to the matter of Virginia and Felix, but I don't
really think there was ever intended to be; for all a more modern
series might show slow progress of a relationship, I think to Ferrars
they were iconic rather than dramatic characters, always on the outs
but never either getting back together or taking steps towards
divorce.
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