RogerBW's Blog

After Dark, Jayne Castle 12 August 2024

2000 romance/SF/mystery; first of a series. After an unfortunate incident in an alien tomb, Lydia Smith is finding it hard to get work. So she can't afford to turn down the one client who's willing to employ her, even if he clearly isn't telling her everything…

I'm very much reminded of the In Death series (which had started in 1995): both Nora Roberts and Jayne Ann Krentz were already successful mainstream romance writers who chose to use pseudonyms for their series set away from the real world, and neither of them really seems interested in SF world-building except insofar as it serves the plot and the romance. Yeah, you can call a car a Slider but you still have to park it, and you can slap "res-" on the front of every gadget name but it still works the same way.

Which to me is a bit of a shame because there's an interesting setup here: the world of Harmony was colonised through an interstellar gate and people mostly arrived with what they could carry. At some point the gate closed, and they lost their technology base and had to reinvent everything with local materials, particularly the resonant amber that mostly seems to be found in ancient alien tombs. Humans got psychic powers too, and it turns out that what you really need to get stuff done is both a para-archaeologist to deal with the psychic traps and a ghost hunter to deal with the ghosts. Pity they can't get on…

Lots of things aren't explained in much detail, but that's fine; the real story is about Lydia, who messed up with a trap (or was she pushed into it?), which ended her academic career; and Emmett, who's looking for a stolen artefact, or at least that's his story. Of course there's much more to it than that, but he has good reason not to trust her with all the details.

There is smouldering, and almost-but-not-quite sex, and flying off the handle; maybe this relationship will last, maybe not, but it won't be dull for them or for anyone within earshot. It's all a bit slow-paced, but the characterisation was enough to carry me through even as the plot switched from relic hunting to noir corruption and a little bit back.

Lydia has a pet alien cat-analogue. It's that kind of book.

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