RogerBW's Blog

This Kingdom Will Not Kill Me, Ilona Andrews 28 August 2026

2026 fantasy, first in a possible series. Maggie Haley went to sleep one night and woke up naked in a ditch in her favourite fantasy series. She has nothing but a painful and specialised superpower, a fanatical knowledge of the books, and a determination to survive.

Which is a good thing, because this is definitely a dark fantasy series. I haven't read A Song of Ice and Fire or Leigh Bardugo's Grishaverse but this sounded like what I've heard of them; it's very much the sort of world in which everyone has a tragic backstory and most of them also have unpleasant plans for the future. There's a little bit of magic, but mostly it doesn't seem to affect the way things work (though a city of 300,000 people, a similar size to London in the early 17th century, is not constantly ravaged by famine and plagues, and people even drink water though it's not clear where it comes from, presumably not the filthy river or the sea).

The problem for me was that the pattern became repetitive. Maggie meets someone, remembers how their story came out in the books, tells them secrets from their past to convince them she's serious, works out a way to make things better, and usually ends up adding them to her found-family household. It's fine, and maybe if I'd read it piecemeal I'd have enjoyed it better, but taken all at once it started to feel like padding.

I do like the way the Andrews team subverts some of the isekai tropes: Maggie doesn't wake up with fighting or magical skills, she doesn't seem to be mentioned in any prophecy, and so on. She just wants to keep people alive by foiling the plans of potential tyrants and other villains, in particular the rioting throughout the city and subsequent tyranny that will follow a particular assassination.

(Though this isn't quite isekai, because as far as Maggie knows she didn't die in the real world, and it's not quite portal fantasy, because there was no choice to go there or suggestion that there might be a way back. That's fine, but Andrews writes as if both of those were the same thing and this were squarely in the middle of them.)

And the book commits the sin of ending on a cliffhanger, which always leaves me feeling less in charity with a story just as I'm about to write the review. But there was enough that I enjoyed that I'll be back for more even though This Book Did Not Thrill Me.

A second book, at least, is planned.

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