2006 urban fantasy, second in the series set in Singapore Three. With
Detective Inspector Chen on vacation, Seneschal Zhu Irzh, his demonic
partner, must look into the matter of a murdered socialite…
There's a shift of focus this time; we visit all the realms
except Hell, but most of the narrative is spent in the city, which has
mysteriously lost most of the futuristic trappings it had in the first
volume.
It's Zhu Irzh's story, at least at first, and while his attitude is
enjoyable to read (he is after all an actual demon, who used to work
in Vice, but he's disconcerted to find himself developing something
that feels remarkably like a conscience), things really take off
half-way through the book when Chen returns and we get back to their
relationship (which for the most part is buddy-cop, but with
interesting twists). By then it's pretty clear what's going on, and
the problem at hand is what to do about it.
He had expected the attempt to buy him off, and had enough native
cunning to anticipate what might happen if he made a fuss. The last
site manager for Paugeng had been a man with little or no sense of
personal danger, some sort of genetic mutation, Paravang supposed,
and had not only taken Tserai to task over medical related staff
problems once, but several times. The man had an extensive
opportunity to explore such difficulties, now, having come down with
an unusual kidney disease after a visit to Tevereya. There had been
considerable speculation as to its cause, never satisfactorily
resolved. Fortunately, Paugeng looked after its own, and had
provided medical treatment at a discount rate.
There are new characters, and they feel real. The mystery is laid out
more plainly than I usually expect from a detective story, though
that's not really what this is, for all it starts with a murder. The
writing is sometimes clumsy, with some continuity problems (someone is
specifically described as being gagged, but two paragraphs later he's
exchanging banter with his captors) and… oh dear, what seem at first
to be three interesting and strong lesbian characters all end up
either dead or in relationships with men. (Or both.) All right, they
might have been bi all along, but it still leaves a bit of a bad
taste.
But then again there's that welcome feeling that Williams (not a
Chinese person) has used the Chinese system of bureaucratic Heaven and
Hell for inspiration, mixing it with other influences, rather than
simply copying it. And a sense of fun that makes up for many other
problems.
"It's your word against mine, Zhu Irzh. You're a demon from the
realm of Hell. And I'm Singapore Three's premier businesswoman. I
could buy this city. In fact," Jhai frowned, as if trying to
remember where she'd purchased a pair of shoes, "I think I already
have."
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