2018 historical fantasy, second of a trilogy. The five monstrous
daughters/creations of mad scientists have made a life for themselves
in London; but their old governess Miss Murray wants their help in
Vienna with Lucinda van Helsing and the secretive Société des
Alchimistes…
The first book suffered from the gradual introduction of the
characters; this one doesn't, because the team's already together by
the time the thing starts. On the other hand there are even more
characters borrowed from more Victorian literature; it was clear that
Bram Stoker would be an influence, and Conan Doyle is if anything
downplayed relative to the first book, but we get new characters from
Rider Haggard, Sheridan Le Fanu, and probably others that I missed.
It's all a bit too much: each original book could say that these
strange things happen but society carries on because they're small
things in a large world, but when all the stories have some truth
behind them it feels less plausible that the world is recognisable at
all, and more as though everyone ought to be finding out about this
stuff.
Combine that with very blatant Americanism – these people are meant to
be living in London and speaking English, none of them except Irene
Norton has ever been to America, yet they constantly talk of
shirtwaists ("blouses" to us); they regard London being warm in late
summer as "miraculous" (no, it's always been hot and stuffy, that's
why the smart set go to the country, and if you don't have actual
records see Dickens earlier or Dornford Yates later); a chapter is
titled "Crossing the British Channel" – and the whole thing feels just
slightly off.
Mary Jekyll walks across Regent's Park to get to Baker Street to see
Sherlock Holmes, and that's fine, but she lives on "Park Terrace". (In
central London, it's "Regent's Park Terrace".) And she thinks about
going via Marylebone Road rather than through the Park, even though
there's no reason to do so (it's rather longer as well as less
pleasant). And there's no mention of the London Zoo that she'd be
going right past on the "paths beneath [the] trees", though she's very
much the sort of person who would remark at animal noises. And yes,
all right, normally I wouldn't care about errors that small, but (a)
the book is, alas, not terribly engaging at this point, so rather than
being carried along by the story I found myself looking up historical
street maps, and (b) Goss proudly thanks Farah Mendelsohn for putting
her up when she visited London for research, and Farah is the same
person whom Connie Willis thanked as her guide to London for
Blackout and All Clear. Apparently if you stay with her you don't
need to have any other English person read your book for errors and
Americanisms.
The story itself is enjoyable, a trip to Vienna and then on to
Budapest (via Styria) to confront the Société, but somehow the whole
thing ends up feeling flabby. There's a whole paragraph explaining
what a dog-whistle is. There's lots of talk about just what sort of
food you can buy in the streets and cafés of Budapest – and I usually
love this kind of detail, but it feels forced-in to get the book up to
a target length rather than occurring as a natural part of the story.
And it turns out the climactic events were all orchestrated anyway,
which is always a bit of a let-down.
There's a load of foreshadowing about Irene Norton's amazing friend
with a new understanding of disorders of the mind, in Vienna in the
1890s, who could he possibly be, we won't give his name so as to
keep up the suspense until the last possible moment… gosh I would
never have guessed it would be him, if I were as utterly ignorant of
history as I'm apparently expected to be.
Also of course this is a middle volume, so while some minor plots are
brought to a conclusion it's not really a stopping point.
I fear that I've been coasting on the goodwill generated in me by the
original short story, helped by its being the best thing in an
otherwise fairly lacklustre collection; I liked its expansion to novel
length less than the short, and I liked this book less than that first
one. Oh well. I'll probably carry on with volume 3 at some point.
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